Tonight You’re Mine isn’t anything new, doesn’t break any ground or go any place that I didn’t fully anticipate. But like I’ve already stated, that’s just fine. This movie is a song I loved singing along to, its boisterous chorus so infectious I feel like I’m going to be humming it for the remainder of the week.

Darling Companion is so intent on not taking anyone to task or coming up with sights or sounds an audience might find potentially off-putting it ends up swimming in some incredibly banal waters.

As courtships go, The Five-Year Engagement didn’t have enough oomph to get me to the alter, making me something of a runaway bride as I exited the theatre and found myself wishing I would have eloped with a different motion picture altogether.

The Cabin in the Woods is a winner. I can’t wait to watch it again, and I’m sure this will become an annual staple for re-watch every Halloween.

Kahn’s sophomore effort Detention has guts and it cheekily goes for gory glory, both traits I do not personally take for granted and ones I think audiences open to this sort of thing will eagerly want to explore.

There just didn’t seem to be any point to bringing everyone back for this fourth go-around, American Reunion proof that sometimes going home again isn’t as good an idea as it’s so often purported to be.

Damsels in Distress isn’t for everyone. It’s quirky and obnoxious, every character speaking with a stilted directness that takes getting used to.

The Salt of Life may take some effort to get into but by the time the climax rolls around it becomes impossible to dislike, and I imagine on subsequent viewings this is the type of innately human journey that could grow on me to the point it becomes an essential one to take on a semi-regular basis.

The only thing one needs to know about this cinematic remake of the 1980s television favorite 21 Jump Street is that it’s funny.