“A Buzz story would allow me to do a sci-fi movie in the tone that I was interested in. It would be different than a Toy Story. It would be more of a straightforward, hard sci-fi movie punctuated with character and comedy.”
– Angus MacLane
Lightyear is nonsense, but it is frequently enthralling nonsense.
Turning Red is a miracle of storytelling genius. It will be one of the best films of 2022. Heck, it may turn out to be one of the best I’ve seen the remainder of this decade.
Some movies exist as if solely to make the viewer feel good. They’re not masterpieces. That’s Luca, and that’s wonderful.
Soul ends on the perfect note, its last moments overflowing in voluminous human insights so melodious I could happily hum its climactic tune for a lifetime and likely never grow tired of hearing it.
It’s all a bunch of colorfully anarchic, emotionally uplifting heartfelt supernatural silliness, all of which helps make Pixar’s latest comedic adventure Onward a goofy good time I’d be excited to see again.
I do hope Toy Story 4 is the last of the series, if only because the bow it puts on Woody’s four-film expedition is tied with such loving perfection I have trouble imagining the filmmakers could ever do better than what they miraculously accomplish here.
Ultimately, Incredibles 2 matters because Bird understands we as an audience are fond of Bob, Helen, Violet, Dash and Jack-Jack because they in turn love one another with selfless transparency. They’re the reason any of this has resonance, the reason we’ve been eagerly longing for a new adventure featuring each of them for over a decade.
Pixar’s latest animated offering Coco is a pleasant enough diversion, offering colorful visual delights that are as imaginative as they are gorgeous.