2067 is aggressively underwhelming, and even though writer/director Seth Larney makes the most of his limited budget, this is one science fiction adventure I’d rather have avoided going on.

V for Vendetta plays a little differently in 2020 than it did in 2006, that’s for certain.

Synchronic is a groovy psychedelic hallucinatory delight worth getting addicted to.

The Invisible Man is next-level stuff that signifies his arrival as a talented storyteller who has an innate ability to take seemingly tired concepts and ideas and make them feel original and contemporary.

This “Universal Horror Collection: Volume 1” is one of the all-time great collections Scream! Factory has ever put together.

The fun of Spider-Man: Far from Home is watching the younger members of its cast agreeably interact with one another, and if the actual heroic parts of the tale could have generated maybe a third of that same intoxicating ebullience maybe I’d have found this latest MCU effort to be a bit more memorable.

At almost two full hours, Men in Black: International trudges along with almost no interest in getting to its destination with anything approaching haste.

It’s moderately exasperating how things eventually play themselves out, and while I appreciate the risks Kinberg and his team are taking with Dark Phoenix, and while I was rooting for the film’s success even when I could see it falling annoying off the rails, this climactic journey of the X-Men just didn’t do it for me.

I love Jack Arnold’s Tarantula. It makes me smile. While not exactly up to the high standards set by THEM! or Godzilla, the movie is a smart, well-crafted giant monster yarn that features a handful of engaging performances and one killer titular creature.