It’s not a total waste of time, and if you’ve got laundry to do or have a game of pinochle to play, having The 355 on in the background as ambient noise will likely do quite nicely.

The toil and trouble of mounting something this surrealistically ambitious pays off, and as the fire burns and the cauldron bubbles, the charm of Coen’s adaptation is firm and good. Heck, I’d go so far as to call The Tragedy of Macbeth downright spectacular.

Guillermo del Toro’s ambitious adaptation of William Lindsay Gresham’s 1946 novel Nightmare Alley might be the most visually stunning motion picture I’ve seen this year. If only I felt the same about the film’s emotional components.

The Old Ways is an inherently human story, grounded in the perception and heritage of its protagonists.

The Advent Calendar is another variation on the classic Richard Matheson short story Button, Button, only with an otherworldly demonic twist that’s straight out of Hellraiser.

While Resident Evil: Welcome to Raccoon City has its moments, it doesn’t have enough of them to make watching the movie in its entirety worthwhile.

Scott dares the audience to accept what he is doing, no questions asked, making House of Gucci a lethally deranged haute couture treatise on avarice, fashion, family and fame I’m going to be thinking about for a long time to come.

“It’s a contemporary morality tale. It’s about being true to yourself. It’s a warning against rampant consumerism. But it’s also satisfying from a horror perspective. Let’s not forget that.”
– Director Lee Haven Jones

The Feast does not skimp on the blood and gore, the resulting mixture of social commentary and ghoulish mystical terror beautifully upsetting on a primal level.