What’s remarkable about Drive-Away Dolls is how it is built on a foundation of intoxicating wholesomeness. Sure, people get beaten up, shot, and even beheaded, but that never changes how agreeably charming events turn out to be.

Lights Out is a waste of time.

Out of the Darkness shines a light on modern troubles, and by dipping into the past, the film asks the audience to consider how tenuous and uncertain humanity’s future survival truly is.

Argylle is exhausting.

I.S.S. asks several troubling and unpleasant questions, and the film refuses to make things easy on the audience by smothering them in obvious or easy answers.

Miller’s Girl frequently vacillates between being insightful and facile, many times within the same scene, and because of this, it’s incredibly difficult to generate anything more than an emotionally cursory involvement in what is going on.

Oscar winner Ariana DeBose and director Gabriela Cowperthwaite blur the lines between science fiction and science fact with the timely I.S.S.

The Beekeeper makes honey out of hooey.

Night Swim quickly sinks to the bottom of the pool.