I.S.S. asks several troubling and unpleasant questions, and the film refuses to make things easy on the audience by smothering them in obvious or easy answers.

Miller’s Girl frequently vacillates between being insightful and facile, many times within the same scene, and because of this, it’s incredibly difficult to generate anything more than an emotionally cursory involvement in what is going on.

Oscar winner Ariana DeBose and director Gabriela Cowperthwaite blur the lines between science fiction and science fact with the timely I.S.S.

The Beekeeper makes honey out of hooey.

Night Swim quickly sinks to the bottom of the pool.

Even if Silent Night is lesser Woo, it’s still nice to have the Hong Kong titan flexing his action muscles in Hollywood again, and all I want for Christmas is an announcement that he’ll have another present for us to unwrap in the very near future.

Saltburn never plays it safe, and where Fennell takes things is guaranteed to anger a fair share of the viewing public.

I had no idea what to expect when It’s a Wonderful Knife came my way. I certainly did not envisage it becoming an instant, holiday-themed, comfort-film favorite.

“If they are joking after the movie, I don’t want that. I prefer they not talking, not laughing. I prefer the silence. I want them to go home to go to sleep and not be able to. That’s what I prefer.”
– Demián Rugna