The Zookeeper’s Wife may not be the most groundbreaking drama, but what it sets out to do, thanks to Niki Caro’s confidently authoritative direction and Jessica Chastain’s spellbinding performance, it still manages to accomplish with breathless simplicity.
[Having] us walk the same mile they do in shoes they themselves are wearing is a therapeutically evocative means to an exceedingly profound end, Band Aid hitting so many right notes any false ones it might inadvertently strike are lost in a symphony of reflective magnificence I could listen to for days on end with no hesitation whatsoever.
Sofia Coppola’s (Somewhere, Lost in Translation) take on The Beguiled is a decidedly feminist, unnervingly funny foray into Southern Gothic terrors that’s as exquisitely made as it is oddly problematic.
Despicable Me 3 is easily the least interesting film in the trilogy, the fact all involved are having such difficulty coming up with many original ideas speaking volumes.
Reset works, there’s really nothing else to say, this ticking clock thriller a timely leap into the human abyss that proves once again a parent’s love for their child is as undying as it is also potentially unstoppable.
“I think in order to try and push back against some of those double standards you have to create opportunities for women in departments where they’re rarely given them. I also knew that, as a woman, there’s a part of me that liked the idea of surrounding myself with other women for this first directorial effort.”
– Zoe Lister-Jones
Baby Driver might not live entirely up to the hype, but that doesn’t make it any less wonderful, Wright once again showing he’s a fearless genre-busting directorial wunderkind who’s creative gas tank overflows in originality.
Elliott nails every scene. It’s a superlative turn, and I’m hard-pressed to think of another actor who could have brought the same sort of lived-in gravitas to the role.
“This movie is affecting audiences very deeply. It’s moving them. It’s something new for them that they’re really appreciating and loving. That has value to me.”
– Colin Trevorrow