I’m not going to go into detail on these this year; I just don’t have the energy or heart to tear anything apart, let alone films I felt particularly let down by. Let’s just say these are the ten motion pictures I hope to never have to deal with again. I’m pretty sure nothing more needs to be said.

Our list of the Top 100 Films of 2016. Enjoy sifting through them all.

This is a good movie, at times even a great one, and if not for a few minor missteps right at the end I’d not hesitate for a second to call The Autopsy of Jane Doe a terrifying little gem as well as one of the year’s most spectacularly discomforting winners.

Sing is a fun movie. More, it also has its heart stuck effortlessly in the right place, things moving along at an ebulliently jovial clip as things progress to their suitably endearing conclusion.

I, Daniel Blake is an important story, perfect for today’s world, Loach once again proving that, even at 80 years of age, he’s not done telling it as it is, and that’s a wondrous thing indeed.

But too much of Why Him? feels rushed and slapped together, the dramatic moments falling so flat caring about what happens to any of the characters or their respective problems is practically impossible. It’s all sound, all fury, the nothing at the center signifying a creative indifference no audience member should pay good money to experience.

Fences runs on that energy, bobbing and weaving as it rolls through the years in order to deliver universal truths that shout volumes no matter one’s race, background or age. Washington has done Wilson proud, the veteran actor swatting this one right out of the ballpark, knocking the cover off of the ball in the process.

Flashy Assassin’s Creed Another Video Game Adaptation Gone Wrong Instead of being executed by Texas for murdering a pimp, Cal Lynch (Michael Fassbender) has been secretly whisked away by the powerful Abstergo Industries to take part in their secret DNA experiments run by brilliant scientist Dr. Sofia Rikkin (Marion Cotillard). Under the direction of her […]

Absurdity and stupidity battle head-to-head with sexism and misogyny, each fighting for supremacy in a duel to the death where there are no victors and the losers are those sitting in the audience being asked to treat any of this seriously. Passengers is pretty bad, and as ambitious and as well-intentioned as it might be that doesn’t make its failure to entertain any less massive.