The movie doesn’t need to be in 3-D, and I can’t say the process adds or subtracts anything one way or the other. But the bottom line is that Beauty and the Beast, as good as it looks on Blu-ray, as superbly as it plays at home, deserves to be seen in a movie theatre.
I won’t say Extremely Loud & Incredibly Close is perfect but I will say I adored and loved it with all my being nonetheless. This is the type of film that might take a while to catch on with the masses, might need more years to marinate in the psyche before it breaks through as the instant classic I suspect it might be, my euphoria for Daldry’s latest virtually without end.
Put simply, A Separation is one of the great cinematic achievements I’ve ever seen, and in my opinion is the best film I saw in 2011.
Marwencol is a journey into the subconscious of a man who doesn’t always know just how loudly he is speaking, and as such it is an empathetic story of triumph that continues to evolve as each day passes making this film an emotionally stunning achievement that ranks as one of the finest documentaries, and one of the best motion pictures, I’ve seen in all of 2010.
This is the real deal in action theatrics, Bigelow’s The Hurt Locker a pulse-pounding dynamo that puts all of Hollywood’s meager Summer 2009 offerings to immediate shame.
The Edge of Heaven isn’t just a movie to watch, it’s also one to cherish.
Atonement is a revelation, maybe even an instant classic.
Within the framework of this film it truly is No Country for Old Men, and as that harsh realization presents itself the only emotion left is a form of quietly overpowering grief.
In what has become known as the “Summer of Sequels,” Universal Pictures, director Greengrass and star Damon have thankfully saved the very best for last, The Bourne Ultimatum a knock-out stunner I’ve been waiting since May to see.