Tell No One is the type of thriller viewers won’t want to keep quiet about. In fact, if they have any sense they’re going to be screaming to see it again.
This new Hulk might have its moments and the character might still have his angry superpowers, but that doesn’t make the film anything close to incredible.
The Edge of Heaven isn’t just a movie to watch, it’s also one to cherish.
Not to say that this inaugural adventure of Iron Man soars very high, but it does get off the ground, and as far as first chapters in what is sure to be an ongoing story is concerned, at least for right now that’s going to have to be enough.
Atonement is a revelation, maybe even an instant classic.
Within the framework of this film it truly is No Country for Old Men, and as that harsh realization presents itself the only emotion left is a form of quietly overpowering grief.
In what has become known as the “Summer of Sequels,” Universal Pictures, director Greengrass and star Damon have thankfully saved the very best for last, The Bourne Ultimatum a knock-out stunner I’ve been waiting since May to see.
Anders Thomas Jensen’s Adam’s Apples was one of the best films I saw during the 2006 Seattle International Film Festival.
Few films are either as magical or as enchanting as Guillermo del Toro’s Pan’s Labyrinth. At the same time, few fairy tales are as perverse, terrifying or as deeply disturbing.