Not that I’m dismissing Mistress America. As much as the stagy pitter-patter of the dialogue didn’t sit as well with me as I’d have liked, that doesn’t make the structural, character-driven cohesion of the plot Baumbach and Gerwig have constructed any less attention grabbing.

Sinister II is a horror sequel with real potential. It has a central conceit that’s inherently intriguing, building on the disturbing premise of its predecessor with real ingenuity. Yet in the end it’s nowhere near as satisfying as it might have been, and while glimmers of chilling astonishment can be found it just isn’t enough to make Bughuul’s return anything memorable.

In the end, it’s hard not to find plenty to like about Cop Car, and as minor as this little thriller might be Watts directorial talent is still undeniable, and as such for those who tend to like this type of thing the movie offers up a ride potentially worthy of the taking.

Final Girl is a fairly tedious enterprise and watching it start to finish is something of a major chore. It’s bad, but is so in ways that have more to do with forces arguably outside the filmmaker’s control so coming down hard on this is awfully difficult to do. That doesn’t mean I think anyone should watch it, mind you, I just think it’s best those that accidentally do are prepared for the obscene levels of mediocrity they’ll end up witnessing if they end up doing so.

[After] all these years, after so many bad movies and disappointing misfires, I still like to be the critic who feels any movie, any movie at all, could potentially be awesome. Hitman: Agent 47 is the type of disaster that can kill those sort of aspirations, this lethal killing machine nothing more than a dream assassin making it the most heinous type of misfire there possibly is.

Fans won’t care, and Frozen fanatics are almost certain to disagree, but gosh darn it if I didn’t feel like Season 4 of Once Upon a Time is running in rather obnoxious and tiresome circles while it’s dealing with the Elsa/Anna storyline. Same time, there’s still a lot of quality stuff going on here, and the writing involving both Regina and Emma is, more often than not, wonderful.

Overall, though, this is a wonderful season, and other than a couple of throwaway episodes that don’t add up to very much by and large this is a pretty solid narrative that grows in intensity and power as things progress…Person of Interest is on solid footing, make no mistake, and I can’t see fans of the show turning their backs on this program anytime soon.

The only reason I watched Ejecta for a second time was because Scream! Factory made the decision to release the film on Blu-ray. I admit I didn’t loathe the film near as much this time around as I did that initial viewing, not that this should be viewed as some sort of massive reversal in opinion.

The Salvation (2015) doesn’t do anything new, it just does what it wants to do very, very well, director Kristian Levring crafting a beautifully austere Western that builds to a suitably bullet-riddled conclusion overflowing in emotion. Fans of the genre owe it to themselves to lasso up this Blu-ray and give it a look as soon as they can.