“It’s the film I hoped it would be. It’s sort of a wonderful escape for two hours from this wretched world we’re living in, and it makes you laugh and it makes you cry. What more can you ask?”
– Director Simon Curtis

Emergency rages against the status quo with fiery imagination and shrewdly perceptive resolve, it’s screeching tires of revolution a clarion call of societal change viewers should take the time to listen to.

I’m as shocked as anyone by just how much I adored Downtown Abbey: A New Era.

A sensory triumph more than it is an emotional one, The Northman is nonetheless an enthralling endeavor, everything building to a crushing finale of senseless masculine bravado that’s as gut-wrenchingly beautiful as it is tragically heartbreaking.

Themes revolving around personal self-discovery are universal in their eerie effectiveness, and there were multiple moments where I saw myself in the main character, a quiet shiver cascading down my spine every time.

If Terrence Malick ever decided to dip his toe into horror, I’m guessing it would look a lot like Stolevski’s feature-length debut You Won’t Be Alone.

Eastern Promises remains a polarizing stunner and features one of the best performances of star Viggo Mortensen’s entire career. Kino’s 4K presentation is immaculate, making this release an absolute must for fans to add to their collections.

There is something triumphant about Reeves’ The Batman, and I do like where the film leaves the character before the screen fades to black. But so many aspects don’t come together, each refusing to resonate no matter how much I wished otherwise.

Cabaret: A decadent tale of sex, friendship, music, and fascism that’s as vital now as it was 50 years ago