Magic Mike is an emotionally complex rollercoaster ride overflowing in raucously euphoric highs. So many of them, in fact, I can guarantee this is one title I’m going to be talking about for the remainder of the year.
Hysteria isn’t perfect, but it is a heck of a lot of fun, and considering the subject matter that’s probably what it needed to be.
Lola Versus comes up frustratingly short, making my recommending it as a worthwhile option for a night out at the local cinema a virtual impossibility.
“Safety Not Guaranteed is personal. It is intimate. It is about the emotional needs the idea of time travel satisfies. I feel it is an honest movie that speaks to what people are going through in their everyday lives. It doesn’t feel manufactured.”
– Colin Trevorrow
Moonrise Kingdom has the potential to be a movie I’ll be pondering, mulling over and thinking about for the remainder of 2012. When all is said and done it might even enter into the upper echelon of the Wes Anderson canon.
Tonight You’re Mine isn’t anything new, doesn’t break any ground or go any place that I didn’t fully anticipate. But like I’ve already stated, that’s just fine. This movie is a song I loved singing along to, its boisterous chorus so infectious I feel like I’m going to be humming it for the remainder of the week.
Darling Companion is so intent on not taking anyone to task or coming up with sights or sounds an audience might find potentially off-putting it ends up swimming in some incredibly banal waters.
As courtships go, The Five-Year Engagement didn’t have enough oomph to get me to the alter, making me something of a runaway bride as I exited the theatre and found myself wishing I would have eloped with a different motion picture altogether.
If not for a final scene that left me vacillating between perplexed, bewildered, enchanted and annoyed (not necessarily in the that order), I’d probably be calling Jennifer Westfeldt’s directorial debut Friends with Kids an early contender for one of 2012’s best films.