The People’s Joker is an absurdist, autobiographical, mixed-media, DC Comics satire that pushes the definition of “fair use” to its breaking point.

The Menu is as delicious as it is vile, as mouthwatering as it is salacious.

As if born out of obsessive rewatches of Cruel Intentions and Mean Girls, Do Revenge is a subversive, foul-mouthed teen comedy that goes to some pretty vile and depraved places.

Honk for Jesus. Save Your Soul. is a chronicle of a woman at a crossroads analyzing life, love, and God in excruciating detail, and not necessarily in that order.

Adventures in Babysitting and RoboCop: Searching for humanity, self-acceptance, and identity while singing the blues with the babysitter and enforcing the law in a cybernetic shell

Bodies Bodies Bodies is a gnarly, uncouth, and suitably deceitful breath of fresh horror air.

Cage knocks it out of the park, making The Unbearable Weight of Massive Talent a triumphant culmination of a career that’s hopefully far from over.

The Stand In moves through the motions with a plodding laboriousness that grows increasingly irritating, and almost all of the supporting players are never around long enough to make anything more than a passing impression.

Yet it is just as equally misguided, and for all its good intentions, star power and expert cinematic craftsmanship, Irresistible is a milquetoast political satire I refuse to endorse.