Skyfire is a fast-paced disaster yarn overflowing in narrow escapes, sudden deaths and an overabundance of visual pyrotechnics.

Douglas Trumball’s Silent Running is a flawed classic, but that still makes it a classic.

If The Midnight Sky doesn’t shine as bright as maybe it could have, there was just enough sparkle to put a happy twinkle in my eye, and even with a noted absence of fuel Clooney’s latest still achieves emotionally cathartic liftoff.

If Roland Emmerich’s outlandishly overblown 2009 hit 2012 and Roar Uthaug’s 2015 critical darling The Wave got together and had a baby, it would probably look a lot like Ric Roman Waugh’s goofy-if-grounded Gerard Butler disaster epic Greenland.

Songbird pushes buttons that feel ugly and inappropriate, all of which makes giving the film any sort of fair assessment difficult to do.

2067 is aggressively underwhelming, and even though writer/director Seth Larney makes the most of his limited budget, this is one science fiction adventure I’d rather have avoided going on.

V for Vendetta plays a little differently in 2020 than it did in 2006, that’s for certain.

Synchronic is a groovy psychedelic hallucinatory delight worth getting addicted to.

The Invisible Man is next-level stuff that signifies his arrival as a talented storyteller who has an innate ability to take seemingly tired concepts and ideas and make them feel original and contemporary.