Nope is monstrously entertaining, and I cannot wait to see it again.

The Gray Man would be the most insufferable big-budget release of 2022 if not for the charismatic star power of Ryan Gosling and Chris Evans.

Edge of Tomorrow has held up magnificently over the past eight years. If anything, it’s only gotten better.

See for Me is a very entertaining little thriller, one that’s happily easy to rewatch. I may have even enjoyed it more the second time around, which is something of a surprise.

Breakdown: 25 years of full-throttle thrills, chills, and characters worth road-tripping into danger with

The Black Phone is a perfect example of how to tell a simple, somewhat familiar story with flair, intelligence, and style.

Spiderhead is a great Twilight Zone or Black Mirror scenario, only one that offers up a terrific idea, asks several fascinating questions, and then frustratingly doesn’t know how to reach a satisfying resolution.

“We love that in our movies you can find a subtext. You can find more things when you watch a second time.”
– Fernando González Gómez

The gleefully anarchic and exuberantly pitch-black The Passenger is a dangerously nasty horror comedy that got under my skin.