Crimes of the Future is a futuristically retro slice of body horror that left me speechless. It is a twisted descent into madness, refusing to coddle its audience or offer up a single happy ending. I wouldn’t have had it any other way.

A Die Hard clone set inside a top-secret military installation that’s the last line of defense against Russian nuclear aggression, high-octane actioner Interceptor is a waste of time.

Treasure of the Four Crowns is certifiably insane. It’s also spectacularly entertaining, reveling in its inherent madness so thoroughly that it’s impossible not to be impressed by all of the inventively deranged absurdity.

Emergency rages against the status quo with fiery imagination and shrewdly perceptive resolve, it’s screeching tires of revolution a clarion call of societal change viewers should take the time to listen to.

Maybe Firestarter is unadaptable?

The Sadness is one of the more aggressively bleak, disturbing, and depraved horror films I’ve ever seen. While I know that sounds like hyperbole, trust me when I say it is not.

Gustavo Hernández’s latest shocker Virus: 32 is an effectively unsettling slice of bloody run-and-hide zombie horror that had me squirming in my seat.

I had a blast while watching Ambulance. This crazed shot of pure melodramatically idiotic adrenaline was just what I needed, the thunderous roar of every engine a fast and furious joy worth getting excited about.

Eastern Promises remains a polarizing stunner and features one of the best performances of star Viggo Mortensen’s entire career. Kino’s 4K presentation is immaculate, making this release an absolute must for fans to add to their collections.