a SIFF 2013 review Nothing Cheap About These Bleakly Satirical Thrills Cheap Thrills is the best movie you are likely going to be too scared to see. An eviscerating satirical assault on financial disparity and the smug, narcissistic tendencies of a seemingly uncaring elite coupled with the anything-goes neediness of a working class oftentimes willing […]
If Sabotage (2014) doesn’t quite get there, it’s not for lack of trying on [Schwarzengger’s] part, and I like the decision to tackle something so profoundly dark, close to off-putting. The movie is a pulpy piece of revenge noir that’s in the end as bleak and as riddled with despair as these enterprises can get (think Man on Fire), that in and of itself almost enough to warrant a recommendation on my part right there alone.
Cryptic Enemy Weaves a Tangled Web Adam (Jake Gyllenhaal) is a timid, unsure of himself college professor who nonetheless has a gorgeous blonde girlfriend, Mary (Mélanie Laurent), who by all accounts appears to love him flaws and all. Anthony (also Gyllenhaal) is a snarling, self-obsessed actor on the rise married to a gorgeous blonde, Helen […]
Jack Ryan: Shadow Recruit, clunky title aside, does a nice job of making Clancy’s hero relevant again. It brings him into the post-9/11 world with invigorating and suspenseful aplomb, and while Branagh’s effort doesn’t rise to the same heights as the two Phillip Noyce directed efforts with Ford, and is certainly light years away from the near-perfection of John McTiernan’s The Hunt for Red October, it’s still a solidly entertaining thriller that’s easy to enjoy.
While the messaging is on the heavy-handed side, those who agree with Blomkamp’s statements are going to eat up his commentary on class warfare and our collective descent into a dehumanized society by the bucket loads, the filmmaker constructing arguably the most anti one-percent motion picture financed by a major Hollywood studio in recent memory.
Unlike a lot of summer monstrosities that label themselves as being nothing more than “dumb fun” but forget to treat the audience with respect, Fast & Furious 6 remembers that people who do in fact watch this might actually have brain. While the movie itself is pretty stupid, it doesn’t treat viewers as being so themselves, understanding and respecting the audience in a way big budget enterprises of similar ilk rarely do.
My feelings towards Olympus Has Fallenaren’t exactly euphoric, and my reaction to the overall motion picture itself isn’t anywhere near positive. At the same time, for a schlock Die Hard variation (i.e. knockoff) Fuqua’s film isn’t anything close to a disaster, it’s too competently acted and directed for that to be the case. At the same, it’s also not anything even slightly special, making watching it more of thing to do when there’s nothing else to do than a necessity worthy of rushing out to the multiplex to experience.
By the time the attack commenced my pulse was racing to such a degree I was worried I might be having a heart attack. Bigelow’s Zero Dark Thirty is a triumph. See it at once.
At its heart Sinister is a tragedy of a man inadvertently attempting to fall on a sword of his own welding, making the final moments more poignantly heartrending then I anticipated.