Christopher Nolan’s Oppenheimer is the type of old-school, star-studded, epic historical biography Hollywood does not make anymore.

While Korpi is a nightmarish demon to this film’s German antagonists, for everyone else Sisu is a blood-splattered dream action aficionados won’t want to wake from.

Cabaret: A decadent tale of sex, friendship, music, and fascism that’s as vital now as it was 50 years ago

Munich: The Edge of War is a handsome film, made with precision and care.

WarHunt is firing blanks, and any magic it may have had vanishes at roughly the halfway mark, never to return.

For Kurosawa, Wife of a Spy is proof the director renowned in the late 1990s and throughout the 2000s as a modern master of horror hasn’t lost an ounce of his creative acumen.

Dench is the Six Minutes to Midnight’s not-so-secret weapon.

Shadow in the Cloud was a surprisingly enjoyable flight of monstrous fancy that helped me start the year off with a happy smile.

Pilcher and Thomas do a fine job bringing their stories to life, A Call to Spy a sublime testament to unheralded heroics which should have been documented long before now.