I’ve seen a lot of bad movies in 2022. I have not watched any that made me so angry I wanted to start throwing things at the screen. Until now.
I have no idea what to make of writer-director Addison Heimann’s psychological horror yarn Hypochondriac.
Nope is monstrously entertaining, and I cannot wait to see it again.
The Black Phone is a perfect example of how to tell a simple, somewhat familiar story with flair, intelligence, and style.
Spiderhead is a great Twilight Zone or Black Mirror scenario, only one that offers up a terrific idea, asks several fascinating questions, and then frustratingly doesn’t know how to reach a satisfying resolution.
“We love that in our movies you can find a subtext. You can find more things when you watch a second time.”
– Fernando González Gómez
Jurassic World Dominion is dumb without the fun, and that just makes me sad.
The gleefully anarchic and exuberantly pitch-black The Passenger is a dangerously nasty horror comedy that got under my skin.
Crimes of the Future is a futuristically retro slice of body horror that left me speechless. It is a twisted descent into madness, refusing to coddle its audience or offer up a single happy ending. I wouldn’t have had it any other way.