Spy (2015)

by Sara Michelle Fetters - June 5th, 2015 - Film Festivals Movie Reviews

[This] is McCarthy’s showcase and she more than delivers. While no one would ever give her an Academy Award for this performance that doesn’t make her any less perfect. She gives Spy its reason to exist, McCarthy hitting the comedic bull’s-eye so frequently she doesn’t so much deserve an Oscar as she does an Olympic Gold Medal.

[This] is McCarthy’s showcase and she more than delivers. While no one would ever give her an Academy Award for this performance that doesn’t make her any less perfect. She gives Spy its reason to exist, McCarthy hitting the comedic bull’s-eye so frequently she doesn’t so much deserve an Oscar as she does an Olympic Gold Medal.

Photo: Miramax

“54: The Director’s Cut” – Interview with Mark Christopher

by Sara Michelle Fetters - May 29th, 2015 - Film Festivals Interviews

The new film is a revelation…All-in-all, it’s a completely different motion picture, and one definitely worth seeing.

The new film is a revelation…All-in-all, it’s a completely different motion picture, and one definitely worth seeing.

Slow West (2015)

by Sara Michelle Fetters - May 22nd, 2015 - Film Festivals Movie Reviews

As debuts go, Slow West is a stupendous one, the film an elegiac Western triumph both fans of the genre and newcomers alike will hopefully enjoy in equal measure.

As debuts go, Slow West is a stupendous one, the film an elegiac Western triumph both fans of the genre and newcomers alike will hopefully enjoy in equal measure.

Keep On Keepin’ On (2014)

by Sara Michelle Fetters - December 5th, 2014 - Film Festivals Movie Reviews

Terry is a fascinating figure, oozing intelligence and charm even as he heads into his 90s, while Kauflin’s got charisma to burn, his talents as a musician apparent right from the start. As for Hicks, he’s managed to assemble as solid a debut as anything he could have hoped for, Keep and Keepin’ On a rousing documentary undertaking whose rhythmic underpinnings are so self-assured they’re positively euphonious.

Terry is a fascinating figure, oozing intelligence and charm even as he heads into his 90s, while Kauflin’s got charisma to burn, his talents as a musician apparent right from the start. As for Hicks, he’s managed to assemble as solid a debut as anything he could have hoped for, Keep and Keepin’ On a rousing documentary undertaking whose rhythmic underpinnings are so self-assured they’re positively euphonious.

Late Phases (2014)

by Sara Michelle Fetters - November 21st, 2014 - Film Festivals Movie Reviews

But it’s awfully entertaining, delivering on its premise while building to a blood-splattered, rip-roaring finale that sees Ambrose understand what it really is he’s fighting for and thus finding the inner strength to do so in the process overcoming his obvious handicap. While not a great werewolf movie, [Late Phases is] still a very good one, and having already watched it twice I almost can’t wait until the opportunity arises to see it again.

But it’s awfully entertaining, delivering on its premise while building to a blood-splattered, rip-roaring finale that sees Ambrose understand what it really is he’s fighting for and thus finding the inner strength to do so in the process overcoming his obvious handicap. While not a great werewolf movie, [Late Phases is] still a very good one, and having already watched it twice I almost can’t wait until the opportunity arises to see it again.

Why Don’t You Play In Hell? (2014)

by Sara Michelle Fetters - November 7th, 2014 - Film Festivals Movie Reviews

Why Don’t You Play In Hell? is so all over the place, so untidy, so purposefully nonsensical, the truth of the matter is at a certain point I just didn’t see the point of trying to invest any of myself into the proceedings.

Why Don’t You Play In Hell? is so all over the place, so untidy, so purposefully nonsensical, the truth of the matter is at a certain point I just didn’t see the point of trying to invest any of myself into the proceedings.

Beneath (2014)

by Sara Michelle Fetters - September 12th, 2014 - Film Festivals Movie Reviews

The supernatural undertones don’t sit well with the real world elements. [Ultimately] Beneath just doesn’t work, and as good as the opening half might be the second just doesn’t make the grade.

The supernatural undertones don’t sit well with the real world elements. [Ultimately] Beneath just doesn’t work, and as good as the opening half might be the second just doesn’t make the grade.

“Just Life”: Richard Linklater Talks Boyhood

by Sara Michelle Fetters - July 25th, 2014 - Film Festivals Interviews

“It’s just one of those crazy ideas that you have,” Richard Linklater says with a smile. “I was trying to make a film about childhood, but I couldn’t find a spot to begin.”

“It’s just one of those crazy ideas that you have,” Richard Linklater says with a smile. “I was trying to make a film about childhood, but I couldn’t find a spot to begin.”

Boyhood (2014)

by Sara Michelle Fetters - July 25th, 2014 - Film Festivals Four-Star Corner Movie Reviews

Boyhood is remarkable stuff, filled with drama, intrigue, suspense, laughter, tears and all the rest that comes with that.

Boyhood is remarkable stuff, filled with drama, intrigue, suspense, laughter, tears and all the rest that comes with that.

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