The Way Way Back (2013)

by Sara Michelle Fetters - July 12th, 2013 - Film Festivals Movie Reviews

The Way, Way Back proves a familiar story in the hands of great filmmakers confident in their abilities (as well as in the talented team they’ve assembled to assist them) can still be worthwhile. This movie is wonderful, nothing more, and certainly nothing less, the truths it revels in may not be new or revelatory but that doesn’t make them any less compelling or, for that matter, universal.

The Way, Way Back proves a familiar story in the hands of great filmmakers confident in their abilities (as well as in the talented team they’ve assembled to assist them) can still be worthwhile. This movie is wonderful, nothing more, and certainly nothing less, the truths it revels in may not be new or revelatory but that doesn’t make them any less compelling or, for that matter, universal.

20 Feet from Stardom (2013)

by Sara Michelle Fetters - June 28th, 2013 - Film Festivals Movie Reviews

20 Feet from Stardom has style, it has pizzazz and most of all its got power, it’s saga of singers at the cusp of success continually giving every ounce of themselves to make it happen for someone else a universal inspirational daydream in every way that matters.

20 Feet from Stardom has style, it has pizzazz and most of all its got power, it’s saga of singers at the cusp of success continually giving every ounce of themselves to make it happen for someone else a universal inspirational daydream in every way that matters.

100 Bloody Acres (2013)

by Sara Michelle Fetters - June 28th, 2013 - Film Festivals Movie Reviews

The brothers Cairnes stage their escalating series of unfortunate events with lackadaisical confidence, propelling things ever forward with jovial efficiency that’s as inventive as it is absurd. They spill a lot of blood, throwing guts and bits of flesh all over the place, doing it with a gorgeously energetic joy that’s continually impressive.

The brothers Cairnes stage their escalating series of unfortunate events with lackadaisical confidence, propelling things ever forward with jovial efficiency that’s as inventive as it is absurd. They spill a lot of blood, throwing guts and bits of flesh all over the place, doing it with a gorgeously energetic joy that’s continually impressive.

Berberian Sound Studio (2012)

by Sara Michelle Fetters - June 28th, 2013 - Film Festivals Movie Reviews

I’ve watched Berberian Sound Studio three times and I’m still not entirely certain I’ve got it all figured out. At this point, I’m fairly certain I’m not supposed to.

I’ve watched Berberian Sound Studio three times and I’m still not entirely certain I’ve got it all figured out. At this point, I’m fairly certain I’m not supposed to.

Wish You Were Here (2013)

by Sara Michelle Fetters - June 28th, 2013 - Film Festivals Movie Reviews

The pacing, while measured, some might even go so far as to call it leisurely, felt spot-on as far as I was concerned, everything building with an unhurried malevolent elegance that kept the tension building and the suspense continually omnipresent.

The pacing, while measured, some might even go so far as to call it leisurely, felt spot-on as far as I was concerned, everything building with an unhurried malevolent elegance that kept the tension building and the suspense continually omnipresent.

The Bling Ring (2013)

by Sara Michelle Fetters - June 21st, 2013 - Film Festivals Movie Reviews

I’m not sure what to write about Sofia Coppola’s The Bling Ring. The movie is as observationally distant as many of her previous films, especially Somewhere, to a lesser extent Lost in Translation, looking at its vapid, materialistic, fame-obsessed central group of teenage reprobates with the same disaffected malaise they themselves project. It’s aggressively nonjudgmental, the film choosing to view its protagonists with a detached superficiality that doesn’t connect emotionally but still manages to pack something of a major, uncomforting wallop all the same.

I’m not sure what to write about Sofia Coppola’s The Bling Ring. The movie is as observationally distant as many of her previous films, especially Somewhere, to a lesser extent Lost in Translation, looking at its vapid, materialistic, fame-obsessed central group of teenage reprobates with the same disaffected malaise they themselves project. It’s aggressively nonjudgmental, the film choosing to view its protagonists with a detached superficiality that doesn’t connect emotionally but still manages to pack something of a major, uncomforting wallop all the same.

Much Ado About Nothing (2012)

by Sara Michelle Fetters - June 21st, 2013 - Film Festivals Movie Reviews

Much Ado About Nothing is an astonishing creation overflowing in passion, energy, romance and humor. Whedon has done a glorious thing with this Shakespeare classic, and as summertime surprises are concerned, this ranks right up there with some of the best I’ve ever had the pleasure to see.

Much Ado About Nothing is an astonishing creation overflowing in passion, energy, romance and humor. Whedon has done a glorious thing with this Shakespeare classic, and as summertime surprises are concerned, this ranks right up there with some of the best I’ve ever had the pleasure to see.

The East (2013)

by Sara Michelle Fetters - June 7th, 2013 - Film Festivals Movie Reviews

It’s a venal shell game where grey overwhelms all of the black and white ideals Sarah originally held, making her ultimate destination all the more emotionally affecting in the process.

It’s a venal shell game where grey overwhelms all of the black and white ideals Sarah originally held, making her ultimate destination all the more emotionally affecting in the process.

“What Maisie Knew” – Interview with Scott McGehee and David Siegel

by Sara Michelle Fetters - May 31st, 2013 - Film Festivals Interviews

“Going through a difficult experience isn’t the end of the line. There can be hope. It’s out there; you just have to grab it.”
– Scott McGehee

“Going through a difficult experience isn’t the end of the line. There can be hope. It’s out there; you just have to grab it.”
– Scott McGehee

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