Terry is a fascinating figure, oozing intelligence and charm even as he heads into his 90s, while Kauflin’s got charisma to burn, his talents as a musician apparent right from the start. As for Hicks, he’s managed to assemble as solid a debut as anything he could have hoped for, Keep and Keepin’ On a rousing documentary undertaking whose rhythmic underpinnings are so self-assured they’re positively euphonious.
But it’s awfully entertaining, delivering on its premise while building to a blood-splattered, rip-roaring finale that sees Ambrose understand what it really is he’s fighting for and thus finding the inner strength to do so in the process overcoming his obvious handicap. While not a great werewolf movie, [Late Phases is] still a very good one, and having already watched it twice I almost can’t wait until the opportunity arises to see it again.
Why Don’t You Play In Hell? is so all over the place, so untidy, so purposefully nonsensical, the truth of the matter is at a certain point I just didn’t see the point of trying to invest any of myself into the proceedings.
The supernatural undertones don’t sit well with the real world elements. [Ultimately] Beneath just doesn’t work, and as good as the opening half might be the second just doesn’t make the grade.
“It’s just one of those crazy ideas that you have,” Richard Linklater says with a smile. “I was trying to make a film about childhood, but I couldn’t find a spot to begin.”
Boyhood is remarkable stuff, filled with drama, intrigue, suspense, laughter, tears and all the rest that comes with that.
“What I really hope is that, afterwards, when it’s over, people will look deeper into the eyes of their loved ones, they’ll look closer than ever before, memorizing every little detail. That’s what I hope they do.”
– Mike Cahill
I Origins is a beautiful treatise on self, human understanding, religion, science and most of all faith. It moves, shifts and evolves in naturalistic fastidiousness, everything building to a magnificent conclusion.
Witching & Bitching is a comedic, gore-drenched, blatantly misogynistic free-for-all that manages to emasculate its male characters at the exact same time it marks them as superior to their female antagonists.