Wild Tales (2014)

by Sara Michelle Fetters - March 13th, 2015 - Four-Star Corner Movie Reviews

A Best Foreign Language Film Oscar nominee, this deliriously entertaining, confidently composed satire of cultural, gender and class politics and mores is astonishing, deftly moving from one story to the next with freewheeling enthusiasm. While each segment is unconnected from those surrounding it, they all manage to convey common themes eviscerating the status quo, showing while catharsis and vengeance can go hand-in-hand, the price extracted for revenge is almost always worse than the cost of turning the other cheek.

A Best Foreign Language Film Oscar nominee, this deliriously entertaining, confidently composed satire of cultural, gender and class politics and mores is astonishing, deftly moving from one story to the next with freewheeling enthusiasm. While each segment is unconnected from those surrounding it, they all manage to convey common themes eviscerating the status quo, showing while catharsis and vengeance can go hand-in-hand, the price extracted for revenge is almost always worse than the cost of turning the other cheek.

A Most Violent Year (2014)

by Sara Michelle Fetters - January 23rd, 2015 - Four-Star Corner Movie Reviews

All I really want is for people to experience the glories and the monumental achievements of A Most Violent Year for themselves sans too much input or explanation from me.

All I really want is for people to experience the glories and the monumental achievements of A Most Violent Year for themselves sans too much input or explanation from me.

Selma (2014)

by Sara Michelle Fetters - January 9th, 2015 - Four-Star Corner Movie Reviews

Subtle and beautifully heartfelt. Selma is an important movie, yes, but it is also a great one.

Subtle and beautifully heartfelt. Selma is an important movie, yes, but it is also a great one.

Birdman (2014)

by Sara Michelle Fetters - October 24th, 2014 - Four-Star Corner Movie Reviews

There’s no denying Birdman is impossible to take your eyes off of. From the opening image of a meteor careening across the sky, to its final moments when an actor combines insanity and inspiration into some form of creative euphoria, the movie is a vital, rhythmically alive character study looking at creation in all its complexity.

There’s no denying Birdman is impossible to take your eyes off of. From the opening image of a meteor careening across the sky, to its final moments when an actor combines insanity and inspiration into some form of creative euphoria, the movie is a vital, rhythmically alive character study looking at creation in all its complexity.

Boyhood (2014)

by Sara Michelle Fetters - July 25th, 2014 - Film Festivals Four-Star Corner Movie Reviews

Boyhood is remarkable stuff, filled with drama, intrigue, suspense, laughter, tears and all the rest that comes with that.

Boyhood is remarkable stuff, filled with drama, intrigue, suspense, laughter, tears and all the rest that comes with that.

Obvious Child (2014)

by Sara Michelle Fetters - June 20th, 2014 - Film Festivals Four-Star Corner Movie Reviews

Make no mistake, Obvious Child is a stunning debut. More than that, it’s also a terrific piece of cinema I’ll be thinking about and extolling the virtues of for a heck of a long time to come.

Make no mistake, Obvious Child is a stunning debut. More than that, it’s also a terrific piece of cinema I’ll be thinking about and extolling the virtues of for a heck of a long time to come.

Locke (2014)

by Sara Michelle Fetters - May 16th, 2014 - Four-Star Corner Movie Reviews

In many ways Locke is the thriller of the year, a real time, ticking clock masterwork of tension and suspense that’s as unrelenting and unmerciful as anything likely to see a release in all of 2014. In others, it is nothing more than a quickly paced melodrama of responsibility and regret, focusing entirely on a single character, the choices he has made and the price he is forced to pay when the bill for his self-centered actions come tragically due.

In many ways Locke is the thriller of the year, a real time, ticking clock masterwork of tension and suspense that’s as unrelenting and unmerciful as anything likely to see a release in all of 2014. In others, it is nothing more than a quickly paced melodrama of responsibility and regret, focusing entirely on a single character, the choices he has made and the price he is forced to pay when the bill for his self-centered actions come tragically due.

Cheap Thrills (2014)

by Sara Michelle Fetters - April 4th, 2014 - Film Festivals Four-Star Corner Movie Reviews

a SIFF 2013 review Nothing Cheap About These Bleakly Satirical Thrills Cheap Thrills is the best movie you are likely going to be too scared to see. An eviscerating satirical assault on financial disparity and the smug, narcissistic tendencies of a seemingly uncaring elite coupled with the anything-goes neediness of a working class oftentimes willing […]

a SIFF 2013 review Nothing Cheap About These Bleakly Satirical Thrills Cheap Thrills is the best movie you are likely going to be too scared to see. An eviscerating satirical assault on financial disparity and the smug, narcissistic tendencies of a seemingly uncaring elite coupled with the anything-goes neediness of a working class oftentimes willing […]

Ernest & Célestine (2014)

by Sara Michelle Fetters - March 28th, 2014 - Four-Star Corner Movie Reviews

Beauteous Ernest & Célestine C’est Magnifique France’s Ernest & Célestine was up against both Disney’s Frozen (the eventual winner) and Hayao Miyazaki’s The Wind Rises for the Academy Award for Best Animated Feature. I had not seen it before the Oscars had been handed out so I couldn’t really say whether or not it deserved […]

Beauteous Ernest & Célestine C’est Magnifique France’s Ernest & Célestine was up against both Disney’s Frozen (the eventual winner) and Hayao Miyazaki’s The Wind Rises for the Academy Award for Best Animated Feature. I had not seen it before the Oscars had been handed out so I couldn’t really say whether or not it deserved […]

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