All Is Lost (2013)

by Sara Michelle Fetters - October 18th, 2013 - Four-Star Corner Movie Reviews

All is Lost is a triumph, no more, and certainly no less, and my gut feeling is that viewers who take up the challenge to see it in a theatre will likely feel the same.

All is Lost is a triumph, no more, and certainly no less, and my gut feeling is that viewers who take up the challenge to see it in a theatre will likely feel the same.

Short Term 12 (2013)

by Sara Michelle Fetters - September 6th, 2013 - Film Festivals Four-Star Corner Movie Reviews

Cretton understands his story and his characters in ways that are inspiring, never once belittling them or taking them for granted. The final moments of Short Term 12 are as refreshingly invigorating as any I could have dreamt of, and as such the filmmaker’s latest effort is cause for complete and total celebration.

Cretton understands his story and his characters in ways that are inspiring, never once belittling them or taking them for granted. The final moments of Short Term 12 are as refreshingly invigorating as any I could have dreamt of, and as such the filmmaker’s latest effort is cause for complete and total celebration.

Before Midnight (2013)

by Sara Michelle Fetters - May 24th, 2013 - Film Festivals Four-Star Corner Movie Reviews

Before Midnight, like its predecessors, is a masterpiece, and I have a feeling I’ll be holding it near and dear to my heart for the rest of my life.

Before Midnight, like its predecessors, is a masterpiece, and I have a feeling I’ll be holding it near and dear to my heart for the rest of my life.

Frances Ha (2013)

by Sara Michelle Fetters - May 23rd, 2013 - Film Festivals Four-Star Corner Movie Reviews

It’s ebullient and joyous but still laced without the proper amount of pain and pathos, everything working in incandescent tandem with its various pieces in order to make the movie come alive to its own free-flowing beat. Make no mistake, Frances Ha is a stunning achievement, an exercise in pure cinema that’s as rare as it is spectacular.

It’s ebullient and joyous but still laced without the proper amount of pain and pathos, everything working in incandescent tandem with its various pieces in order to make the movie come alive to its own free-flowing beat. Make no mistake, Frances Ha is a stunning achievement, an exercise in pure cinema that’s as rare as it is spectacular.

In the House (2012)

by Sara Michelle Fetters - April 19th, 2013 - Four-Star Corner Movie Reviews

In the House is an incredible work of art that remembers the greatest stories start from the most blasé of scenarios, and that even when the ending to the tale borders on perfection the ultimate destination a masterpiece is headed for is for future generations to determine its value and worth for themselves.

In the House is an incredible work of art that remembers the greatest stories start from the most blasé of scenarios, and that even when the ending to the tale borders on perfection the ultimate destination a masterpiece is headed for is for future generations to determine its value and worth for themselves.

Side Effects (2013)

by Sara Michelle Fetters - February 8th, 2013 - Four-Star Corner Movie Reviews

If anyone tries to tell you more about director Steven Soderbergh’s (Traffic, Magic Mike) new thriller Side Effects (2013) other than that hush them up as quickly as you can. With an intricate, densely plotted script by Scott Z. Burns (Contagion, The Informant!), the movie never goes where you expect it to, does things you do not anticipate and moves its characters into some incredible (and incredibly surprising) situations.

If anyone tries to tell you more about director Steven Soderbergh’s (Traffic, Magic Mike) new thriller Side Effects (2013) other than that hush them up as quickly as you can. With an intricate, densely plotted script by Scott Z. Burns (Contagion, The Informant!), the movie never goes where you expect it to, does things you do not anticipate and moves its characters into some incredible (and incredibly surprising) situations.

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