Obvious Child (2014)

by Sara Michelle Fetters - June 20th, 2014 - Film Festivals Four-Star Corner Movie Reviews

Make no mistake, Obvious Child is a stunning debut. More than that, it’s also a terrific piece of cinema I’ll be thinking about and extolling the virtues of for a heck of a long time to come.

Make no mistake, Obvious Child is a stunning debut. More than that, it’s also a terrific piece of cinema I’ll be thinking about and extolling the virtues of for a heck of a long time to come.

Locke (2014)

by Sara Michelle Fetters - May 16th, 2014 - Four-Star Corner Movie Reviews

In many ways Locke is the thriller of the year, a real time, ticking clock masterwork of tension and suspense that’s as unrelenting and unmerciful as anything likely to see a release in all of 2014. In others, it is nothing more than a quickly paced melodrama of responsibility and regret, focusing entirely on a single character, the choices he has made and the price he is forced to pay when the bill for his self-centered actions come tragically due.

In many ways Locke is the thriller of the year, a real time, ticking clock masterwork of tension and suspense that’s as unrelenting and unmerciful as anything likely to see a release in all of 2014. In others, it is nothing more than a quickly paced melodrama of responsibility and regret, focusing entirely on a single character, the choices he has made and the price he is forced to pay when the bill for his self-centered actions come tragically due.

Cheap Thrills (2014)

by Sara Michelle Fetters - April 4th, 2014 - Film Festivals Four-Star Corner Movie Reviews

a SIFF 2013 review Nothing Cheap About These Bleakly Satirical Thrills Cheap Thrills is the best movie you are likely going to be too scared to see. An eviscerating satirical assault on financial disparity and the smug, narcissistic tendencies of a seemingly uncaring elite coupled with the anything-goes neediness of a working class oftentimes willing […]

a SIFF 2013 review Nothing Cheap About These Bleakly Satirical Thrills Cheap Thrills is the best movie you are likely going to be too scared to see. An eviscerating satirical assault on financial disparity and the smug, narcissistic tendencies of a seemingly uncaring elite coupled with the anything-goes neediness of a working class oftentimes willing […]

Ernest & Célestine (2014)

by Sara Michelle Fetters - March 28th, 2014 - Four-Star Corner Movie Reviews

Beauteous Ernest & Célestine C’est Magnifique France’s Ernest & Célestine was up against both Disney’s Frozen (the eventual winner) and Hayao Miyazaki’s The Wind Rises for the Academy Award for Best Animated Feature. I had not seen it before the Oscars had been handed out so I couldn’t really say whether or not it deserved […]

Beauteous Ernest & Célestine C’est Magnifique France’s Ernest & Célestine was up against both Disney’s Frozen (the eventual winner) and Hayao Miyazaki’s The Wind Rises for the Academy Award for Best Animated Feature. I had not seen it before the Oscars had been handed out so I couldn’t really say whether or not it deserved […]

The Grand Budapest Hotel (2014)

by Sara Michelle Fetters - March 14th, 2014 - Four-Star Corner Movie Reviews

Anderson’s Budapest Hotel a Comedic Masterwork I’ve said more than a handful of times in the past that the works of Wes Anderson are arguably made for certain palates, each motion picture a fanciful journey into a highly stylized world acquired tastes adore while everyone else scratches their collective chins wondering what all the fuss […]

Anderson’s Budapest Hotel a Comedic Masterwork I’ve said more than a handful of times in the past that the works of Wes Anderson are arguably made for certain palates, each motion picture a fanciful journey into a highly stylized world acquired tastes adore while everyone else scratches their collective chins wondering what all the fuss […]

The Wind Rises (2014)

by Sara Michelle Fetters - February 21st, 2014 - Four-Star Corner Movie Reviews

This movie is a titanic achievement that I’m still mulling over, so many pieces of it speaking with such unabashed eloquence calling the finished film an instant classic is almost a no-brainer.

This movie is a titanic achievement that I’m still mulling over, so many pieces of it speaking with such unabashed eloquence calling the finished film an instant classic is almost a no-brainer.

Frozen (2013)

by Sara Michelle Fetters - November 27th, 2013 - Four-Star Corner Movie Reviews

This isn’t just the year’s best animated film, it’s one of 2013’s finest motion pictures period, and as someone who has already seen, and loved, it twice I cannot wait to head out to the theatre and see it again before happily adding it to my personal library when it comes out on DVD and Blu-ray a few months hence.

This isn’t just the year’s best animated film, it’s one of 2013’s finest motion pictures period, and as someone who has already seen, and loved, it twice I cannot wait to head out to the theatre and see it again before happily adding it to my personal library when it comes out on DVD and Blu-ray a few months hence.

Dallas Buyers Club (2013)

by Sara Michelle Fetters - November 1st, 2013 - Four-Star Corner Movie Reviews

This is one of those rare instances where I feel like [Dallas Buyers Club] is one of those movies that, do not just live up to the hype, but also exceed it, making Vallée’s based-on-fact stunner one of the best films I’ll watch this, or in any other, year.

This is one of those rare instances where I feel like [Dallas Buyers Club] is one of those movies that, do not just live up to the hype, but also exceed it, making Vallée’s based-on-fact stunner one of the best films I’ll watch this, or in any other, year.

12 Years a Slave (2013)

by Sara Michelle Fetters - October 25th, 2013 - Four-Star Corner Movie Reviews

It’s hard to imagine a movie will look into this heart of American darkness with more meticulous an eye anytime soon, McQueen latching onto Northup’s story refusing to allow it to lapse into melodrama or treacle. His filmmaking acumen is beyond reproach, the technical aspects never overshadowing the human story every piece augmenting the next allowing the story to bloom and blossom as it likely wouldn’t have otherwise.

It’s hard to imagine a movie will look into this heart of American darkness with more meticulous an eye anytime soon, McQueen latching onto Northup’s story refusing to allow it to lapse into melodrama or treacle. His filmmaking acumen is beyond reproach, the technical aspects never overshadowing the human story every piece augmenting the next allowing the story to bloom and blossom as it likely wouldn’t have otherwise.

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