Love & Friendship (2016)

by Sara Michelle Fetters - May 27th, 2016 - Film Festivals Four-Star Corner Movie Reviews

The film’s 92 minutes pass by so quickly it’s all over almost as soon as it begins, everything building to a smashing conclusion that had me wanting to leap from my seat and give Stillman, his production team and his entire cast one long, rousing, vigorous cheer. Love & Friendship is magnificent, and anyone saying otherwise is in my eyes one gouty attack away from objectionable ignominy.

The film’s 92 minutes pass by so quickly it’s all over almost as soon as it begins, everything building to a smashing conclusion that had me wanting to leap from my seat and give Stillman, his production team and his entire cast one long, rousing, vigorous cheer. Love & Friendship is magnificent, and anyone saying otherwise is in my eyes one gouty attack away from objectionable ignominy.

10 Cloverfield Lane (2016)

by Sara Michelle Fetters - March 10th, 2016 - Four-Star Corner Movie Reviews

Here is all you need to know about 10 Cloverfield Lane: It’s awesome.

Here is all you need to know about 10 Cloverfield Lane: It’s awesome.

Knight of Cups (2016)

by Sara Michelle Fetters - March 9th, 2016 - Four-Star Corner Movie Reviews

Knight of Cups is writer/director Terrence Malick at his most lyrically esoteric. If his last film, the atmospheric, if claustrophobically nondescript saga of love and woe To the Wonder was the acclaimed filmmaker’s attempt to pick away at cinematic convention, it is with this one that he abandons traditional narrative constructs entirely.

Knight of Cups is writer/director Terrence Malick at his most lyrically esoteric. If his last film, the atmospheric, if claustrophobically nondescript saga of love and woe To the Wonder was the acclaimed filmmaker’s attempt to pick away at cinematic convention, it is with this one that he abandons traditional narrative constructs entirely.

Son of Saul (2015)

by Sara Michelle Fetters - January 28th, 2016 - Four-Star Corner Movie Reviews

While this story is smothered in tragedy, there is something poignant and cathartic about what Saul is attempting to achieve, all of it speaking to a form of spirituality and faith that crosses religious barriers to become something universal and timeless.

While this story is smothered in tragedy, there is something poignant and cathartic about what Saul is attempting to achieve, all of it speaking to a form of spirituality and faith that crosses religious barriers to become something universal and timeless.

45 Years (2015)

by Sara Michelle Fetters - January 1st, 2016 - Four-Star Corner Movie Reviews

[45 Years] is a tale with no heroes, no villains, just one filled with life, loss, understanding and, most of all, love, Kate and Geoff’s journey towards their anniversary party as universal and as human as any that has ever graced the screen.

[45 Years] is a tale with no heroes, no villains, just one filled with life, loss, understanding and, most of all, love, Kate and Geoff’s journey towards their anniversary party as universal and as human as any that has ever graced the screen.

Creed (2015)

by Sara Michelle Fetters - November 24th, 2015 - Four-Star Corner Movie Reviews

High on the list of words I never thought I would write in 2015? How about something along the lines of proclaiming a sequel/spinoff to 1976 Academy Award-winner Rocky, a movie that’s already had five proper sequels, one of the year’s best motion pictures?

High on the list of words I never thought I would write in 2015? How about something along the lines of proclaiming a sequel/spinoff to 1976 Academy Award-winner Rocky, a movie that’s already had five proper sequels, one of the year’s best motion pictures?

Spotlight (2015)

by Sara Michelle Fetters - November 13th, 2015 - Four-Star Corner Movie Reviews

McCarthy makes this investigation personal, universal, its intimate vivisection of this complex, destructively abhorrent tale impossible to turn away from. But the real glory is how the filmmaker shapes things into a chronicle of inspiration and hope, Spotlight giving center stage to unsung warriors for truth who understood telling the story right, without embellishment, without melodramatic editorial excess, was the greatest victory of them all.

McCarthy makes this investigation personal, universal, its intimate vivisection of this complex, destructively abhorrent tale impossible to turn away from. But the real glory is how the filmmaker shapes things into a chronicle of inspiration and hope, Spotlight giving center stage to unsung warriors for truth who understood telling the story right, without embellishment, without melodramatic editorial excess, was the greatest victory of them all.

Victoria (2015)

by Sara Michelle Fetters - October 16th, 2015 - Four-Star Corner Movie Reviews

The movie is a trick, of that there is no doubt, Schipper’s storytelling precision coupled with cinematographer Sturla Brandth Grøvlen’s detailed handheld camerawork beyond impressive. But if it were only this trick, only a visual device utilized to get curious cinemagoers inside the theatre, then the movie would be good, maybe a bit better than that, but not extraordinary, and that is exactly what Victoria (2015) is.

The movie is a trick, of that there is no doubt, Schipper’s storytelling precision coupled with cinematographer Sturla Brandth Grøvlen’s detailed handheld camerawork beyond impressive. But if it were only this trick, only a visual device utilized to get curious cinemagoers inside the theatre, then the movie would be good, maybe a bit better than that, but not extraordinary, and that is exactly what Victoria (2015) is.

Sicario (2015)

by Sara Michelle Fetters - September 25th, 2015 - Four-Star Corner Movie Reviews

Sicario lives up to its title, this Mexican slang for a hitman aiming its gunsights at the viewer, leaving those of us who watch broken and battered into a reinforced shell of regret and understanding we might not be able to emerge from anytime soon.

Sicario lives up to its title, this Mexican slang for a hitman aiming its gunsights at the viewer, leaving those of us who watch broken and battered into a reinforced shell of regret and understanding we might not be able to emerge from anytime soon.

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