Chappie shows great promise, it just maddeningly refuses to live up to it, its final moments as robotic and as poorly engineered as a malfunctioning Furby ready for the scrapheap.

Levring’s affection for the genre is apparent, while his handling of the tale’s central moments pack a powerful punch that knocked me upside the head leaving me just to the right side of awestruck. [The Salvation] is a fine film indeed, one I’ll happily ride along with again with no hesitation whatsoever.

[Everly] is like some crackpot melding of a one-room Tennessee Williams’ melodrama crossed with some comic book obsessed fanboy’s most gloriously asinine fever dream, featuring a central protagonist that’s more charismatic and charming than she has any right to be.

I think what makes me mad is that it’s easy to see the movie that could have been.

The Lazarus Effect is your typical horror enterprise about very, very smart people doing very, very stupid things, the film a convoluted hodgepodge of Frankenstein, Lucy, Limitless, A Nightmare on Elm Street and Re-Animator, a whole fleet of additional B-grade shockers thrown into the mixture for good measure.

If you threw Juno, Mean Girls and She’s All That into a blender you’d probably end up with something relatively similar to The DUFF, a well-intentioned and relatively charming High School coming-of-age comedy that’s frothy and effervescent enough to entertain but not inspired or creative enough to become memorable.

To paraphrase a very old adage, laughter cures just about anything, and while it can’t make Hot Tub Time Machine 2 a good movie it does manage to transform it into a far more enjoyable one than it otherwise would have been.

Costner has rarely been better. Slipping into White’s shoes with ease, he looks right at home running alongside his charges, becoming a better man, a better coach and, most of all, a better father as he figures out what makes the kids, their families and the community click as he puts everyone on the path towards victory.

Wyrmwood doesn’t reinvent the wheel. It doesn’t shake up the zombie genre so much that it will never be the same afterwards. Yet it’s filled to the brim with indelible moments that joyfully take up space in the memory, showcases sequences of ingenuity and wit that had me rocking back and forth in my seat in total, unrestrained euphoria.