Always an astonishing visual craftsman, House of Flying Daggers is as impressive as anything Yimou’s ever done. The shifting colors and landscapes flow in and out of one another like a dreamy netherworld, while the tiniest woodland sounds sparkle and hum with the majesty of a symphonic orchestra.
Bad Education is a brazen, ambisexual noir that embraces the conventions of the genre while at the same time shattering them with explicit wickedness.
The Incredibles is just that, well, incredible, and here’s hoping people go and see just that for themselves at their first opportunity to do so.
The Grudge works, and I’ve got the sweaty palms to prove it.
Resident Evil: Apocalypse is pretty awful, and if this ends up being game over for the budding franchise I wouldn’t be at all surprised.
Not altogether shocking, Alien vs. Predator is an unreviewable motion picture.
What’s amazing isn’t that Sam Raimi’s follow-up to his 2002 smash is a lot of fun, but instead that it might just be the greatest superhero comic book adventure film I’ve frankly ever seen. Spider-Man 2 is superb.
But with Mean Girls Waters and Fey do what they can to show scrubbing off one’s humanity for a mechanical glassy-eyed façade is something that should be avoided. In the end, life in plastic just isn’t worth the effort.
It’s a beautiful screenplay overflowing with moments of such sudden, tight-fisted insanity that frequently knocked my socks off, all of its coupled with a poignant purity that’s beyond terrific. As early-year movies go, Eternal Sunshine of the Spotless Mind isn’t just a surprise, it’s a bona fide cinematic miracle I’m not ever going to forget.