I won’t say Extremely Loud & Incredibly Close is perfect but I will say I adored and loved it with all my being nonetheless. This is the type of film that might take a while to catch on with the masses, might need more years to marinate in the psyche before it breaks through as the instant classic I suspect it might be, my euphoria for Daldry’s latest virtually without end.
I’m sorry but none of that is enough, and for a woman who changed the face of international politics forever, for a figure who challenged the very notion of what a leader could be, I wanted more. More importantly, she deserved more, and on that point alone The Iron Lady is a staggering misfire difficult for me to even partially recommend.
When Joyful Noise does sing it hits a number of heavenly notes. Sadly it just doesn’t hit enough of them to make the movie as a whole anything more than a musical prayer that’s vexingly left unanswered.
Alike’s journey is a harrowing one, filled with victories and setbacks, heartbreak and heroism, forgiveness and despair. Most of all, however, there is hope and there is love, and no matter how dark the night the light streaming from the horizon at dawn will almost certainly warm the cockles of even the most miserly heart.
Put simply, A Separation is one of the great cinematic achievements I’ve ever seen, and in my opinion is the best film I saw in 2011.
Criterion’s Blu-ray presentation of Sidney Lumet’s 12 Angry Men is sensational. Do yourself a favor and add it to your personal collection immediately.
Big, bold and loud, Tarsem Singh’s mythological adventure Immortals is a lot of fun.
Contagion coughs up several scares and makes the fantastical feel unbearably believable.
Cornish has delivered an invigorating, supercharged frolic. Attack the Block is out of this world, and to call it anything else would be a bloody man-eating crime.