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Gladiator II (2024)
by Sara Michelle Fetters - November 21st, 2024 - Movie ReviewsFor all my misgivings, I was entertained by Gladiator II. I call that a victory.
For all my misgivings, I was entertained by Gladiator II. I call that a victory.
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Wicked: Part One (2024)
by Sara Michelle Fetters - November 20th, 2024 - Movie ReviewsAs much as I wish the filmmaking team had refrained from splitting the story into pieces and delivered one three-hour musical adventure, Wicked: Part One won me over. There is magic here — elements that defy conventional cinematic gravity — and I’m not about to let my reservations bring me down.
As much as I wish the filmmaking team had refrained from splitting the story into pieces and delivered one three-hour musical adventure, Wicked: Part One won me over. There is magic here — elements that defy conventional cinematic gravity — and I’m not about to let my reservations bring me down.
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Red One (2024)
by Sara Michelle Fetters - November 15th, 2024 - Movie ReviewsWhile I am as cynical about the current state of the human condition as anyone, Red One taps into something honest and hopeful. Right now, with all that’s going on in the real world, those aren’t emotional states of being I want to take for granted. More importantly, I’d like to believe I’m not the only one who feels that way.
While I am as cynical about the current state of the human condition as anyone, Red One taps into something honest and hopeful. Right now, with all that’s going on in the real world, those aren’t emotional states of being I want to take for granted. More importantly, I’d like to believe I’m not the only one who feels that way.
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Juror #2 (2024)
by Sara Michelle Fetters - November 1st, 2024 - Movie ReviewsJuror #2 is a bona fide crowd-pleaser that’s guilty of being hugely entertaining.
Juror #2 is a bona fide crowd-pleaser that’s guilty of being hugely entertaining.
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Unforgettables: Cinematic Milestones #33 – Rear Window (1954)
by Sara Michelle Fetters - October 30th, 2024 - FeaturesAlfred Hitchcock’s masterpiece of voyeuristic suspense and the preternatural beauty of Grace Kelly remain as timeless as ever
Alfred Hitchcock’s masterpiece of voyeuristic suspense and the preternatural beauty of Grace Kelly remain as timeless as ever
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Venom: The Last Dance (2024)
by Sara Michelle Fetters - October 25th, 2024 - Movie ReviewsVenom: The Last Dance is even more gloriously daft than its predecessors were.
Venom: The Last Dance is even more gloriously daft than its predecessors were.
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Smile 2 (2024)
by Sara Michelle Fetters - October 18th, 2024 - Movie ReviewsSmile 2 made me angry.
Smile 2 made me angry.
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The Apprentice (2024)
by Sara Michelle Fetters - October 11th, 2024 - Movie ReviewsMaybe it is appropriate that The Apprentice director Ali Abbasi has made something so perplexingly frustrating, yet still aggravatingly mesmerizing, out of the relationship between young New York real estate developer Donald Trump and firebrand lawyer Roy Cohn.
Maybe it is appropriate that The Apprentice director Ali Abbasi has made something so perplexingly frustrating, yet still aggravatingly mesmerizing, out of the relationship between young New York real estate developer Donald Trump and firebrand lawyer Roy Cohn.
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We Live in Time (2024)
by Sara Michelle Fetters - October 11th, 2024 - Movie ReviewsWe Live in Time is undeniably a showcase for Garfield and Pugh’s seemingly unlimited talents. On that front, they, and by extension the film, do not disappoint.
We Live in Time is undeniably a showcase for Garfield and Pugh’s seemingly unlimited talents. On that front, they, and by extension the film, do not disappoint.