Turning Red is a miracle of storytelling genius. It will be one of the best films of 2022. Heck, it may turn out to be one of the best I’ve seen the remainder of this decade.

Studio 666 is an unwieldy, mostly unfunny hodgepodge of tired horror conceits and winking, self-indulgent humor that ends up making next to no lasting impression whatsoever.

I was captivated from start to finish, and if I could have watched Marry Me again from the beginning the moment after it had concluded I would have done so.

Is this a great motion picture? No. Of course not. Did watching it make me happy? Yes, to an almost impossible to describe degree.

Superhost is a lot of fun primarily thanks to Gracie Gillam’s effervescently larger-than-life performance overflowing in unhinged villainy.

Outrageous Fortune: Midler and Long butt heads and build friendships in a buddy comedy classic

I really didn’t like The Ice Age Adventures of Buck Wild, not at all, and I can’t wait to never think about it ever again.

There’s nothing provocative about The Tender Bar. Even the bits that fell flat didn’t do so in a way that were so egregious I could get angry about them. I just wish that Clooney and Monahan had brought more to the production than just a general easygoing vibe that refuses to challenge and goes out of its way to not offend.

Werewolves Within is likely going to make my 2021 top ten list. It’s great.