Singin’ in the Rain: Celebrating 70 years of saying, “Yes! Yes! Yes” to a timeless musical classic

Victor/Victoria: Blake Edwards’ 1982 gender-bending Parisian musical farce remains ahead of its time

The Bad Guys is an awful lot of fun.

Cage knocks it out of the park, making The Unbearable Weight of Massive Talent a triumphant culmination of a career that’s hopefully far from over.

While not nearly as fresh as its predecessor, this second helping of blood-splattered dystopian craziness is still a decent bit of fun.

I was never able to let myself go and enjoy all this loopy jungle madness, The Lost City coming across as too mechanically forgettable for my tastes.

Instead of taking the easy way out, the aftereffects of tragedy and loss are allowed to linger in ways atypical for genre fair like this, granting The Adam Project an extra layer of empathetic hopefulness that’s lovely.

Turning Red is a miracle of storytelling genius. It will be one of the best films of 2022. Heck, it may turn out to be one of the best I’ve seen the remainder of this decade.

Studio 666 is an unwieldy, mostly unfunny hodgepodge of tired horror conceits and winking, self-indulgent humor that ends up making next to no lasting impression whatsoever.