12 Hour Shift is an agreeably nasty workplace satire overflowing in whimsical moments, grotesque twists of fate and unforeseen emotional nuances that both tickled my funny bone and gave me a thing or two to think about in greater detail.

The Wolf of Snow Hollow is a bloody good October treat.

This Valley Girl musical remake was a lot easier to watch the second time around. I’m still a little frustrated by the film, but not nearly as egregiously so as I was earlier this year.

Spontaneous raucously combusts like no other horror-comedy this year.

Uncle Peckerhead is something of a gleefully gory hoot, and even if I didn’t lose my head over it that doesn’t make the film any less worthwhile.

Homewrecker is one heck of an entertaining foray into psychologic discombobulation, everything building to a shockingly gruesome climax I honestly didn’t see coming.

Yet it is just as equally misguided, and for all its good intentions, star power and expert cinematic craftsmanship, Irresistible is a milquetoast political satire I refuse to endorse.

Sometimes Always Never becomes stealthily unforgettable, this peculiar story an intimately human tale of family (and Scrabble!) that plays itself out like a winsome daydream tenderly coupled in the arms of a long-lost love.

Scare Package would be a rather decent horror anthology if only it would stop calling attention to how silly and unserious everything is.