Damsels in Distress isn’t for everyone. It’s quirky and obnoxious, every character speaking with a stilted directness that takes getting used to.
The Salt of Life may take some effort to get into but by the time the climax rolls around it becomes impossible to dislike, and I imagine on subsequent viewings this is the type of innately human journey that could grow on me to the point it becomes an essential one to take on a semi-regular basis.
The only thing one needs to know about this cinematic remake of the 1980s television favorite 21 Jump Street is that it’s funny.
I respected Casa de mi Padre far more than I enjoyed it, director and “SNL” veteran Matt Piedmont never striking the right balance between playing things straight while still wink-winking at the audience as if everyone knows just how absurd all of this is.
The last moments speak to the concepts of family, brotherhood and marriage in a way that touched my heart and also tickled my funny bone, and while Jeff, Who Lives at Home isn’t perfect these precious final minutes were, and for my money that’s all that matters.
If not for a final scene that left me vacillating between perplexed, bewildered, enchanted and annoyed (not necessarily in the that order), I’d probably be calling Jennifer Westfeldt’s directorial debut Friends with Kids an early contender for one of 2012’s best films.
Sound of Noise is nothing short of a cacophony of sound, fury, silence, ingenuity and inspiration, the entire plot revolving around a scenario that’s as silly as it is absurd.
Cornish has delivered an invigorating, supercharged frolic. Attack the Block is out of this world, and to call it anything else would be a bloody man-eating crime.
Mike Leigh’s dark, twisted and very, very funny 1993 effort Naked is as raw and as emotionally nude as anything the acclaimed filmmaker has ever made.