The Advent Calendar is another variation on the classic Richard Matheson short story Button, Button, only with an otherworldly demonic twist that’s straight out of Hellraiser.

While Resident Evil: Welcome to Raccoon City has its moments, it doesn’t have enough of them to make watching the movie in its entirety worthwhile.

Antlers proves to be a visceral nightmare in which fantasy and reality collide and become one, while Cooper satiates my appetite for intelligently haunting terror with delectable aplomb.

Valdimar Jóhannsson’s feature-length debut Lamb is one of the more captivatingly daft, yet oddly heartbreaking, motion pictures I’ve seen this year.

V/H/S/94 is a gruesomely disquieting good time. I loved it.

While I have no idea if Behemoth is going to stick in my memory longer than the time it took me to write this review, I do know Sefchik’s name or his talent are items I’m going to be forgetting anytime soon.

The Tomorrow War is as forgettable as it is disappointing.

Werewolves Within is going to go down as one of my favorite films of 2021.

Writer and director John Krasinski’s A Quiet Place Part II hits the ground running, quickly reminding viewers how Evelyn and her children survived as well as the stakes involved if any of them takes a single misplaced step.