M3GAN 2.0 may be a step down from the killer doll’s last outing, but not a giant one.

Boyle and Garland refuse to play it safe and, by doing so, make 28 Years Later an essential piece of horror social commentary. This is one of the year’s best films.

There is a lightness and levity to Pixar’s latest animated spectacle Elio that kept me smiling for every moment of its interstellar comedic adventure.

I found watching Lilo & Stitch to be the cinematic equivalent of a comforting warm hug.

Mickey 17 may not end up being the year’s best film, but it will undoubtedly become one of its most essential.

There’s nothing robotic about Companion.

Night of the Comet: Forty years later, the end of the world remains as satirically prescient as ever. Bitchin’, isn’t it?

Venom: The Last Dance is even more gloriously daft than its predecessors were.

A Quiet Place: Part One isn’t only a fantastic prequel, it’s just plain great all on its own outside of the two wonderful A Quiet Place films that preceded it.