Wild, weird, and overflowing in rich ideas, The Bone Temple is a deliciously nasty soliloquy of birth, death, and resurrection that begins like some tragically austere Puccini operetta only to climax with death metal majesty like it’s the most raucous Iron Maiden concert ever staged.

As much as I did enjoy Avatar: Fire and Ash, I’m ready for Cameron to move on to telling new stories far removed from this one.

The Running Man: I say change the channel and go watch something else.

Let the hunt begin.

This may be the end of the world, but nothing about it made me feel fine. I found Bugonia to be an unrelentingly miserable journey into pessimistic darkness, its viscerally sardonic malice more than I could bear.

Tron: Ares a moderately wild ride of mayhem, destruction, and video game-inspired ingenuity that can be a decent amount of fun. Just don’t expect a great deal more than that.

It is that cathartic sensation of all-encompassing hope in the face of unimaginable evil that allowed The Fantastic Four: First Steps to resonate with me.

After watching Jurassic World: Rebirth, I’m thinking this is one franchise that is in desperate need of going on hiatus.

M3GAN 2.0 may be a step down from the killer doll’s last outing, but not a giant one.