“It’s a contemporary morality tale. It’s about being true to yourself. It’s a warning against rampant consumerism. But it’s also satisfying from a horror perspective. Let’s not forget that.”
– Director Lee Haven Jones

The Feast does not skimp on the blood and gore, the resulting mixture of social commentary and ghoulish mystical terror beautifully upsetting on a primal level.

“You could say this story is very much about the inability to simply just be upfront and honest. I think that’s something to think about. I love how that kind of becomes more meaningful as things go on.”
– David Verbeek

Dead & Beautiful has bite, and in this instance that’s enough to warrant a look.

I gave Red Notice my full attention, and all it gave me back was a headache.

Antlers proves to be a visceral nightmare in which fantasy and reality collide and become one, while Cooper satiates my appetite for intelligently haunting terror with delectable aplomb.

The beat just felt a little off, and I can’t say I think that’s going to change if I were to give Last Night in Soho a second chance to win me over in the future.

Night Teeth is Collateral with fangs by way of Stephenie Meyer and, surprisingly enough, I don’t mean any of that as a negative.

Halloween Kills knows how to jolt an audience into fits of giggly yelps of fright, and watching this iconic villain do his thing with such calmly calculated ferocity is oftentimes bone-chilling.