The Wolf of Snow Hollow is a bloody good October treat.

Yet the kinetic fury of Snyder’s box office smash cannot be denied. It’s numerous flaws notwithstanding, this is still a rousingly entertaining spectacle, and watching it again I was struck by just how absorbing I continue to find 300 to be.

For those interested in a little wild west action inserted into their horror, Aaron B. Koontz’s The Pale Door is worth lassoing.

This Valley Girl musical remake was a lot easier to watch the second time around. I’m still a little frustrated by the film, but not nearly as egregiously so as I was earlier this year.

Pilcher and Thomas do a fine job bringing their stories to life, A Call to Spy a sublime testament to unheralded heroics which should have been documented long before now.

Once Upon a River is a redemptive tale caked in catastrophic mistakes which lead to terrifying consequences, some of which will leave lasting psychological scars while others conceal the potential for a rejuvenated rebirth that might lead to unforeseen future happiness.

Spontaneous raucously combusts like no other horror-comedy this year.

Quinto provides an instant jolt of electricity I did not see coming. There is an effortlessness to his line delivery that held me spellbound.

Sean Durkin’s The Nest is a stinging marital drama that’s nothing short of superb.