It’s a venal shell game where grey overwhelms all of the black and white ideals Sarah originally held, making her ultimate destination all the more emotionally affecting in the process.
“Going through a difficult experience isn’t the end of the line. There can be hope. It’s out there; you just have to grab it.”
– Scott McGehee
The Kings of Summer shouldn’t work, the fact that it does a pleasant summertime cinematic revelation I couldn’t have been more thankful for.
Before Midnight, like its predecessors, is a masterpiece, and I have a feeling I’ll be holding it near and dear to my heart for the rest of my life.
A modern day adaptation of the Henry James novel, What Maisie Knew is an emotionally-charged, delicately authentic knockout tale of a child learning to circumnavigate an adult world while maintaining her wide-eyed exuberance about life and its potential in the process.
It’s ebullient and joyous but still laced without the proper amount of pain and pathos, everything working in incandescent tandem with its various pieces in order to make the movie come alive to its own free-flowing beat. Make no mistake, Frances Ha is a stunning achievement, an exercise in pure cinema that’s as rare as it is spectacular.
Maybe Mackenzie’s latest minimalist high-concept opus will grow on me over time, will keep pounding against my psyche so it forces me to watch it again and reassess at a later date. Maybe a lot of things, but for right now I find Perfect Sense to be too ambiguous for its own good, and as doomsday scenarios go I’m not sure this is one I’ll ever be in the mood to contemplate again.
Marwencol is a journey into the subconscious of a man who doesn’t always know just how loudly he is speaking, and as such it is an empathetic story of triumph that continues to evolve as each day passes making this film an emotionally stunning achievement that ranks as one of the finest documentaries, and one of the best motion pictures, I’ve seen in all of 2010.