Moonrise Kingdom has the potential to be a movie I’ll be pondering, mulling over and thinking about for the remainder of 2012. When all is said and done it might even enter into the upper echelon of the Wes Anderson canon.
Kahn’s sophomore effort Detention has guts and it cheekily goes for gory glory, both traits I do not personally take for granted and ones I think audiences open to this sort of thing will eagerly want to explore.
Maybe Mackenzie’s latest minimalist high-concept opus will grow on me over time, will keep pounding against my psyche so it forces me to watch it again and reassess at a later date. Maybe a lot of things, but for right now I find Perfect Sense to be too ambiguous for its own good, and as doomsday scenarios go I’m not sure this is one I’ll ever be in the mood to contemplate again.
Marwencol is a journey into the subconscious of a man who doesn’t always know just how loudly he is speaking, and as such it is an empathetic story of triumph that continues to evolve as each day passes making this film an emotionally stunning achievement that ranks as one of the finest documentaries, and one of the best motion pictures, I’ve seen in all of 2010.
This is the real deal in action theatrics, Bigelow’s The Hurt Locker a pulse-pounding dynamo that puts all of Hollywood’s meager Summer 2009 offerings to immediate shame.
The Edge of Heaven isn’t just a movie to watch, it’s also one to cherish.
Anders Thomas Jensen’s Adam’s Apples was one of the best films I saw during the 2006 Seattle International Film Festival.