A modern day adaptation of the Henry James novel, What Maisie Knew is an emotionally-charged, delicately authentic knockout tale of a child learning to circumnavigate an adult world while maintaining her wide-eyed exuberance about life and its potential in the process.

It’s ebullient and joyous but still laced without the proper amount of pain and pathos, everything working in incandescent tandem with its various pieces in order to make the movie come alive to its own free-flowing beat. Make no mistake, Frances Ha is a stunning achievement, an exercise in pure cinema that’s as rare as it is spectacular.

“I wanted to tell a story that was emotionally true, and these people didn’t know how heroic what they were doing would turn out to be. For them, they had to believe they were all going to die. There was no other way to look at the situation.”
– David France

How to Survive a Plague is sensational, and without a doubt France’s debut is one of the more profoundly inspiring motion pictures I’ve seen this year.

While V/H/S is a wildly uneven ride, for those willing to take a seat on the rollercoaster the hypnotic horrors found within are undeniably worthy of discovery.

“I have made six horror movies in seven years. Pretty soon it’s going to start to feel repetitive. But it’s a great genre to experiment in as a filmmaker. You can pretty much do anything. That sense of freedom is inspirational.”
– Ti West

Brooklyn Brothers Beat the Best spoke to me, casting a rhapsodic spell I didn’t want to see end.

Radnor has crafted characters who live in the real world and not in some fantastical juvenile celluloid fabrication of it.

Sleepwalk with Me made me laugh, and as far as comedies are concerned that’s one attribute worthy of celebration no matter how nightmarish the ordeal the main character is going through might prove to be.