Ai Weiwei: Never Sorry isn’t perfect, but I’m not sure it needed to be, a man as complicated and as intriguing as Weiwei a fascinating enigma whom a complete picture of might never be developed.

There is no closure to Beasts of the Southern Wild, nothing to hold on to that I felt was satisfying. I love the fire and the passion it must have taken for Zeitlin and Alibar to bring the film to life, but that wasn’t enough as far as I was concerned.

Seeking a Friend for the End of the World is a movie I’m going to be treasuring for a very long time.

Banks is incredible, her performance the anchor that holds People Like Us together.

Grassroots shows that, win or lose, hope still exists, and that the tiniest of voices can still be heard if they have the guts to stand before a microphone and have the courage to make their opinions public.

I enjoyed True Wolf, got wrapped up in Koani and her family’s story in a way I hadn’t anticipated before watching.

Lola Versus comes up frustratingly short, making my recommending it as a worthwhile option for a night out at the local cinema a virtual impossibility.

The Woman in the Fifth is as coldly obtuse and emotionally distant as anything I’ve had the misfortune to come across this year.

Your Sister’s Sister has something universal to say about relationships, about the bonds between siblings, about how it is we choose to live our lives and the mysterious nature of the dreams, aspirations and demons that drive us forward.