Don’t Breathe holds up surprisingly well on second viewing, the magically creepy spell Alvarez and Sayagues end up crafting undeniably long-lasting. I was also even more impressed with Lang’s performance, the breadth and depth of it startling.
I adore the simplicity of The BFG, the subtlety that Spielberg and Mathison bring to Dahl’s source material really speaking to me. I’ve watched the film four times now and it just gets better with each viewing, the richness of the emotions startlingly pure. It’s a terrific movie, and one I hope more people will take the time to look at now that it’s available for home consumption.
Finding Dory is frankly wonderful, and while not the instant classic its predecessor was this Pixar sequel is still incredibly strong, continuing the story in ways that are engaging, smart and emotionally captivating.
Pan’s Labyrinth is a dream and a nightmare, both in constant battle for supremacy as Guillermo del Toro’s haunting fairy tale weaves its way towards its shattering conclusion. A decade after its original release, this film has grown to become a bona fide masterpiece, Criterion’s sensational Blu-ray as exquisite a presentation as any it is likely ever going to have.
I still don’t get it. While Sausage Party has some amusing bits, personally the comedy doesn’t do a lot for me. I just don’t laugh, at least not a lot, trying to watch it again for a second time a far more lugubrious affair than I expected it to be.
Nerve doesn’t work, but it does have a number of solid moments, while Roberts delivers one of the better performances of her still young career. Lionsgate’s Blu-ray presentation is solid across the board, and I seriously doubt fans will be even moderately disappointed if they choose to add the title to their personal libraries.
Unlike The Da Vinci Code, my opinion of Angels & Demons has actually improved over the years. The film is fluff, but it can be enjoyable fluff, and I do find lots to love about the first two-thirds. But the climax is an abomination, that hasn’t changed, and as such any goodwill that has developed in 2009 still hasn’t grown enough to make get the bad taste out of my mouth of those final 20 minutes.
My opinion of The Da Vinci Code has not improved over the last decade. If anything, watching it again I realized I was much too kind back in 2006, this movie a badly paced misfire that’s almost impossible to sit through start to finish. It just isn’t very good, and the fact it has now spawned two sequels over a ten year period is kind of astonishing if you ask me.
Blood Father really is pretty darn good. It just works, especially the second time around, Richet guiding Gibson to deliver one of his most soulful, knowingly raw performances of his entire career.