[What] is here is enjoyable if taken on its own terms, much of Jane Got a Gun playing out with a 1940s or ‘50s Hollywood élan I found more than satisfying. The movie is a Western made for Western fans, and I have no problem with that whatsoever.

[The] stuff that does work in The Finest Hours is so solid, so deliciously crafted, so splendidly acted this obvious climactic misstep isn’t near as disastrous as it could have been, the film itself still a rousing tale of sacrifice, ingenuity and heroism I couldn’t help but enjoy.

Kung Fu Panda 3 concludes on a definite high note, filled with eye-popping animated set pieces as well as thrilling story beats that I was perfectly entertained by. If it is the end of the road for this particular hero, he certainly goes out a winner. In other words, this sequel is a total Skadoosh! and there’s not a heck of a lot more to add.

But it’s all for naught, and while I can’t say what transpires ends up making The Boy a bad film, it does have the unfortunate effect of making it a less interesting one, one I’m not altogether certain is worthy of the second look a big part of me wants to grant it.

While this story is smothered in tragedy, there is something poignant and cathartic about what Saul is attempting to achieve, all of it speaking to a form of spirituality and faith that crosses religious barriers to become something universal and timeless.

I won’t say The 5th Wave is the worst thing I’ll see this year, but it might be one of the films that ends up wasting the most inherent potential.

Ip Man 3 is a reminder just how talented this international superstar continues to be. [Donnie Yen’s] performance is glorious, the actor embodying this martial arts legend with grace, dignity, passion and charisma to burn. As wonderful as many of the other components might be, he remains the number one reason for interested viewers to watch this sequel and continues to be the primary one by which I wholeheartedly recommend they do just that.

The movie is a mixed bag, but one filled with imagination and ingenuity, and as such as nuts as Monster Hunt proves to be it’s also just enjoyable enough to make dealing with its wildly perverse lapses into pandemonium worth enduring.

Anomalisa is fascinating, and I cannot say I was ever bored by anything that Kaufman and Johnson were choosing to show me…This is as distinctive and as one-of-a-kind an endeavor as anything there is currently in theatres, and as such I do hope intrigued potential viewers seek the film out and give it a long, hard look.