
Eternals (2021)
by Sara Michelle Fetters - November 3rd, 2021 - Movie ReviewsEternals shoots for the stars, and if the finished feature isn’t quite out of this world, it’s still close enough to getting there that my interest in seeing where these characters go next is exceedingly high.
Eternals shoots for the stars, and if the finished feature isn’t quite out of this world, it’s still close enough to getting there that my interest in seeing where these characters go next is exceedingly high.

Antlers (2021)
by Sara Michelle Fetters - October 29th, 2021 - Movie ReviewsAntlers proves to be a visceral nightmare in which fantasy and reality collide and become one, while Cooper satiates my appetite for intelligently haunting terror with delectable aplomb.
Antlers proves to be a visceral nightmare in which fantasy and reality collide and become one, while Cooper satiates my appetite for intelligently haunting terror with delectable aplomb.

Last Night in Soho (2021)
by Sara Michelle Fetters - October 29th, 2021 - Movie ReviewsThe beat just felt a little off, and I can’t say I think that’s going to change if I were to give Last Night in Soho a second chance to win me over in the future.
The beat just felt a little off, and I can’t say I think that’s going to change if I were to give Last Night in Soho a second chance to win me over in the future.

Night Teeth (2021)
by Sara Michelle Fetters - October 22nd, 2021 - Movie ReviewsNight Teeth is Collateral with fangs by way of Stephenie Meyer and, surprisingly enough, I don’t mean any of that as a negative.
Night Teeth is Collateral with fangs by way of Stephenie Meyer and, surprisingly enough, I don’t mean any of that as a negative.

Dune (2021)
by Sara Michelle Fetters - October 20th, 2021 - Movie ReviewsThis Dune, for all its technical virtuosity, is stranded in an emotionally barren desert.
This Dune, for all its technical virtuosity, is stranded in an emotionally barren desert.

Ron’s Gone Wrong (2021)
by Sara Michelle Fetters - October 20th, 2021 - Movie ReviewsRon’s Gone Wrong’s points are seldom made with any certainty, and everything builds to a strange conclusion that comes perilously close to being the literal definition of “mixed messaging.”
Ron’s Gone Wrong’s points are seldom made with any certainty, and everything builds to a strange conclusion that comes perilously close to being the literal definition of “mixed messaging.”

Bergman Island (2021)
by Sara Michelle Fetters - October 15th, 2021 - Four-Star Corner Movie ReviewsHansen-Løve twists Bergman Island into a circular pretzel during the climax, and I loved seeing how all her seemingly disconnected themes and plot strands suddenly came together into one with such rhapsodic ease.
Hansen-Løve twists Bergman Island into a circular pretzel during the climax, and I loved seeing how all her seemingly disconnected themes and plot strands suddenly came together into one with such rhapsodic ease.

Halloween Kills (2021)
by Sara Michelle Fetters - October 13th, 2021 - Movie ReviewsHalloween Kills knows how to jolt an audience into fits of giggly yelps of fright, and watching this iconic villain do his thing with such calmly calculated ferocity is oftentimes bone-chilling.
Halloween Kills knows how to jolt an audience into fits of giggly yelps of fright, and watching this iconic villain do his thing with such calmly calculated ferocity is oftentimes bone-chilling.

Lamb (2021)
by Sara Michelle Fetters - October 8th, 2021 - Movie ReviewsValdimar Jóhannsson’s feature-length debut Lamb is one of the more captivatingly daft, yet oddly heartbreaking, motion pictures I’ve seen this year.
Valdimar Jóhannsson’s feature-length debut Lamb is one of the more captivatingly daft, yet oddly heartbreaking, motion pictures I’ve seen this year.