12 Hour Shift is an agreeably nasty workplace satire overflowing in whimsical moments, grotesque twists of fate and unforeseen emotional nuances that both tickled my funny bone and gave me a thing or two to think about in greater detail.

Sorkin’s latest directorial offering The Trial of the Chicago 7 is timely, engaging and undeniably thought-provoking. It is also spectacularly acted across the board.

The Wolf of Snow Hollow is a bloody good October treat.

Pilcher and Thomas do a fine job bringing their stories to life, A Call to Spy a sublime testament to unheralded heroics which should have been documented long before now.

Once Upon a River is a redemptive tale caked in catastrophic mistakes which lead to terrifying consequences, some of which will leave lasting psychological scars while others conceal the potential for a rejuvenated rebirth that might lead to unforeseen future happiness.

Spontaneous raucously combusts like no other horror-comedy this year.

Quinto provides an instant jolt of electricity I did not see coming. There is an effortlessness to his line delivery that held me spellbound.

Sean Durkin’s The Nest is a stinging marital drama that’s nothing short of superb.

Alone is crackerjack white-knuckle entertainment, and personally I cannot wait to see it again.