Homewrecker is one heck of an entertaining foray into psychologic discombobulation, everything building to a shockingly gruesome climax I honestly didn’t see coming.

I didn’t realize just how much I needed director Dawn Porter’s latest documentary John Lewis; Good Trouble until it was over.

The Outpost wrecked me, and when it was over I was so exhausted and had gone through so many tissues I needed to slap a little water in my face to regain my composure.

Beats is more than a visual or musical showcase, it’s a character-driven one as well, the events of this crazy night back in 1994 not nearly as divorced from today’s protest-charged reality as casual viewers might initially surmise.

Yet it is just as equally misguided, and for all its good intentions, star power and expert cinematic craftsmanship, Irresistible is a milquetoast political satire I refuse to endorse.

Sometimes Always Never becomes stealthily unforgettable, this peculiar story an intimately human tale of family (and Scrabble!) that plays itself out like a winsome daydream tenderly coupled in the arms of a long-lost love.

There are numerous layers to writer/director Harold Holscher’s subdued, elegantly eerie South African horror yarn The Soul Collector, many of them uncomfortably fascinating.

Scare Package would be a rather decent horror anthology if only it would stop calling attention to how silly and unserious everything is.

Infamous a mediocre movie that deserves to fade into oblivion as if it never existed in the first place, the fewer followers it ends up having the more likely that outcome is going to be.