Uncle Peckerhead is something of a gleefully gory hoot, and even if I didn’t lose my head over it that doesn’t make the film any less worthwhile.

The Wretched is a fun flick, and even if it didn’t leave a lasting impression that doesn’t mean I was any less entertained.

This new The Secret Garden, while full of life and overflowing in imagination, isn’t still without a few thorns. Had those been trimmed back even a little bit, I’d likely be frolicking through this film’s cinematic fields in bare feet and a large smile plastered on my face.

La Llorona comments on current international events as well as recent Guatemalan history with confident authority, making the film a universally accessible ghost story that will haunt all who watch it for quite some time to come.

Summerland is the type of motion picture that gives me hope things are going to turn out all right, not just for the characters living inside this tale, but in the here and now for all of us as well.

Amulet is a distinctly feminist journey where answers only reveal additional questions, and doing the so-called “right thing” could lead to ghastly unforeseen events born of entitled selfishness that are both heinous and unforgivable all at the same time.

Scoob! is a decidedly mixed bag, and while it was moderately fun to see a potential Hanna-Barbera universe take shape, this film is still too slapdash and rough around the edges to be consistently entertaining for any viewer over the age of eight or so.

You Don’t Nomi is fast-paced and never takes itself too seriously, it’s 90-plus minutes flying by so quickly I was almost a little shocked when the doc came to an end.

Relic is a singularly magnetic motion picture that burrows under the skin leaving a lasting scar, the hushed uncertainty of the devastation left behind in its wake impossible to forget.