Something in the Air (2012)

by Sara Michelle Fetters - May 10th, 2013 - Movie Reviews

While composed with a meticulous eye for detail, there is still the constant omnipresent sensation that anything can happen at any moment, these characters free to shape themselves as they naturalistically would if Something in the Air was actually taking place for real and not a vibrant figment of the director’s vividly alive imagination.

While composed with a meticulous eye for detail, there is still the constant omnipresent sensation that anything can happen at any moment, these characters free to shape themselves as they naturalistically would if Something in the Air was actually taking place for real and not a vibrant figment of the director’s vividly alive imagination.

Iron Man 3 (2013)

by Sara Michelle Fetters - May 3rd, 2013 - Movie Reviews

It’s great, filled with superb set pieces and moments, not the least of which is a dynamic attack on the Stark mansion that had the majority of the preview audience sitting on the edge of their seats holding their breath, and I can’t say I was ever bored by anything that was going on. At the same time, there is an almost television-like efficiency that can grow stale, nothing ever popping out or calling attention to itself in a way I could ever say was entirely memorable.

It’s great, filled with superb set pieces and moments, not the least of which is a dynamic attack on the Stark mansion that had the majority of the preview audience sitting on the edge of their seats holding their breath, and I can’t say I was ever bored by anything that was going on. At the same time, there is an almost television-like efficiency that can grow stale, nothing ever popping out or calling attention to itself in a way I could ever say was entirely memorable.

At Any Price (2013)

by Sara Michelle Fetters - April 26th, 2013 - Movie Reviews

The bottom line is that the director has a lot on his mind and a ton he wants to say, the majority of which I firmly believe deserves to be stated as loudly and as exuberantly as possible. But as good the cast is and as great as many individual moments are none of them are detailed or are as explored as fully as I felt like they needed to be, making [At Any Price] an intriguing oddity difficult to embrace even if in some ways it’s still relatively easy to recommend.

The bottom line is that the director has a lot on his mind and a ton he wants to say, the majority of which I firmly believe deserves to be stated as loudly and as exuberantly as possible. But as good the cast is and as great as many individual moments are none of them are detailed or are as explored as fully as I felt like they needed to be, making [At Any Price] an intriguing oddity difficult to embrace even if in some ways it’s still relatively easy to recommend.

Mud (2013)

by Sara Michelle Fetters - April 26th, 2013 - Movie Reviews

Nichols once again subverts genre convention and slowly goes in directions you don’t always see coming. If his debut was a Hatfield and McCoy descent into familial darkness and his sophomore effort a psychological freak-out combining nature in upheaval and a devoted father slowly losing his marbles, then Mud (2013) is a coming-of-age drama of faith, understanding and friendship that defies convention resulting in an authentic urgency unique unto itself.

Nichols once again subverts genre convention and slowly goes in directions you don’t always see coming. If his debut was a Hatfield and McCoy descent into familial darkness and his sophomore effort a psychological freak-out combining nature in upheaval and a devoted father slowly losing his marbles, then Mud (2013) is a coming-of-age drama of faith, understanding and friendship that defies convention resulting in an authentic urgency unique unto itself.

Pain & Gain (2013)

by Sara Michelle Fetters - April 26th, 2013 - Movie Reviews

There’s nothing of merit to take away from Pain & Gain other than the fact that maybe in the hands of a different filmmaker something worthwhile could have been crafted, this pile of bombast as instantly forgettable, and in some ways lamentable, as anything I’m likely to see in all of 2013.

There’s nothing of merit to take away from Pain & Gain other than the fact that maybe in the hands of a different filmmaker something worthwhile could have been crafted, this pile of bombast as instantly forgettable, and in some ways lamentable, as anything I’m likely to see in all of 2013.

Evil Dead (2013)

by Sara Michelle Fetters - April 5th, 2013 - Movie Reviews

I can’t say this Evil Dead will be as revered or as influential as its predecessor, but that doesn’t mean it isn’t without merit. Alvarez proves to be a horror filmmaker with passion, energy, style and vision, taking the Raimi/Campbell/Tapert concept into twisted new territory while at the same time paying just homage to the original trilogy at the exact same time.

I can’t say this Evil Dead will be as revered or as influential as its predecessor, but that doesn’t mean it isn’t without merit. Alvarez proves to be a horror filmmaker with passion, energy, style and vision, taking the Raimi/Campbell/Tapert concept into twisted new territory while at the same time paying just homage to the original trilogy at the exact same time.

Jurassic Park 3D (1993)

by Sara Michelle Fetters - April 5th, 2013 - Movie Reviews

Did Jurassic Park need a 3D upgrade? Heck no, the film confidently spoke for itself 20 years ago and its does so just as exuberantly now. Still, I will say that as post-conversions of older titles go, this is without a doubt the best one I have ever seen.

Did Jurassic Park need a 3D upgrade? Heck no, the film confidently spoke for itself 20 years ago and its does so just as exuberantly now. Still, I will say that as post-conversions of older titles go, this is without a doubt the best one I have ever seen.

The Place Beyond the Pines (2012)

by Sara Michelle Fetters - March 29th, 2013 - Movie Reviews

Derek Cianfrance’s The Place Beyond the Pines, his follow up to his Oscar-nominated Blue Valentine, is big, sprawling and highly ambitious. It is his attempt at an American opus that’s equal parts Tennessee Williams and Sidney Lumet, a movie where the sins of the father are passed unto their sons, so on and so forth, making the picture a multigenerational epic filled with interesting characters, heartbreaking situations and broadly emotional ideas.

Derek Cianfrance’s The Place Beyond the Pines, his follow up to his Oscar-nominated Blue Valentine, is big, sprawling and highly ambitious. It is his attempt at an American opus that’s equal parts Tennessee Williams and Sidney Lumet, a movie where the sins of the father are passed unto their sons, so on and so forth, making the picture a multigenerational epic filled with interesting characters, heartbreaking situations and broadly emotional ideas.

G.I. Joe: Retaliation (2013)

by Sara Michelle Fetters - March 28th, 2013 - Movie Reviews

The truth of the matter is, while G.I. Joe: Retaliation is without a doubt a far superior effort to its predecessor, while it does contain more than its fair share of fun moments and has more than a few performances worthy of a gentle tip of the hat, I don’t have the slightest wish to watch it again at any point in the foreseeable future. Make of that what you will.

The truth of the matter is, while G.I. Joe: Retaliation is without a doubt a far superior effort to its predecessor, while it does contain more than its fair share of fun moments and has more than a few performances worthy of a gentle tip of the hat, I don’t have the slightest wish to watch it again at any point in the foreseeable future. Make of that what you will.

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