Boys Don’t Cry: Celebrating the complicated, problematic legacy of an essential entry in the LGBTQ cinematic canon on its 25th anniversary
Dumb Money is a fun time at the movie theater, but not an especially edifying one.
Air is phenomenally entertaining.
Based on articles written by New York Times reporters Megan Twohey and Jodi Kantor in 2017, the investigative journalism procedural She Said is as enthralling as it is infuriating.
Kidman is extraordinary.
Scott dares the audience to accept what he is doing, no questions asked, making House of Gucci a lethally deranged haute couture treatise on avarice, fashion, family and fame I’m going to be thinking about for a long time to come.
King Richard is one of 2021’s best films. See it at once.
The Electrical Life of Louis Wain is a suitably strange biopic that goes out of its way to emulate the documented idiosyncratic peculiarities of its subject. It’s also a movie I wish I enjoyed far more than I frustratingly did.
This is a richly talented ensemble, and every member puts forth their best effort.