The Intouchables balances precipitously at the edge of melodramatic excess yet somehow never falls over into that particular ravine.

Moonrise Kingdom has the potential to be a movie I’ll be pondering, mulling over and thinking about for the remainder of 2012. When all is said and done it might even enter into the upper echelon of the Wes Anderson canon.

Bernie is simply unlike anything else out there making its way through the multiplexes right now. It is unique and tells a story many have never heard about with intelligence, style and panache.

I don’t know what I expected walking into What to Expect When You’re Expecting, but walking out I did know what I’d gotten, this comedic misfire an unfortunate waste of time I’d rather not have seen in the first place.

The Cup feels suffocated, almost as if the director is refusing to allow any emotion, anything that could be construed as an authentic human characteristic to come about naturally.

God Bless America comes out guns blazing, and even if all the targets don’t get hit just enough of them do the satirical end result is nothing less than lethal.

Tonight You’re Mine isn’t anything new, doesn’t break any ground or go any place that I didn’t fully anticipate. But like I’ve already stated, that’s just fine. This movie is a song I loved singing along to, its boisterous chorus so infectious I feel like I’m going to be humming it for the remainder of the week.

Darling Companion is so intent on not taking anyone to task or coming up with sights or sounds an audience might find potentially off-putting it ends up swimming in some incredibly banal waters.

As courtships go, The Five-Year Engagement didn’t have enough oomph to get me to the alter, making me something of a runaway bride as I exited the theatre and found myself wishing I would have eloped with a different motion picture altogether.