
Rock of Ages (2012)
by Sara Michelle Fetters - June 15th, 2012 - Movie ReviewsBut when you look at Cruise, when you see what he decides to bring to this ‘Nothin’ But A Good Time’ party, when you find yourself awestruck by his ability to mine places and corners of the human condition the rest of the picture seemingly has no interest in, you quickly realize Rock of Ages could be so much more than it is.
But when you look at Cruise, when you see what he decides to bring to this ‘Nothin’ But A Good Time’ party, when you find yourself awestruck by his ability to mine places and corners of the human condition the rest of the picture seemingly has no interest in, you quickly realize Rock of Ages could be so much more than it is.

The Woman in the Fifth (2011)
by Sara Michelle Fetters - June 15th, 2012 - Film Festivals Movie ReviewsThe Woman in the Fifth is as coldly obtuse and emotionally distant as anything I’ve had the misfortune to come across this year.
The Woman in the Fifth is as coldly obtuse and emotionally distant as anything I’ve had the misfortune to come across this year.

Your Sister’s Sister (2011)
by Sara Michelle Fetters - June 15th, 2012 - Film Festivals Movie ReviewsYour Sister’s Sister has something universal to say about relationships, about the bonds between siblings, about how it is we choose to live our lives and the mysterious nature of the dreams, aspirations and demons that drive us forward.
Your Sister’s Sister has something universal to say about relationships, about the bonds between siblings, about how it is we choose to live our lives and the mysterious nature of the dreams, aspirations and demons that drive us forward.

Safety Not Guaranteed (2012)
by Sara Michelle Fetters - June 8th, 2012 - Film Festivals Movie ReviewsSafety Not Guaranteed is not your normal time travel comedy/drama/romance/mystery hybrid.
Safety Not Guaranteed is not your normal time travel comedy/drama/romance/mystery hybrid.

The Intouchables (2011)
by Sara Michelle Fetters - June 1st, 2012 - Film Festivals Movie ReviewsThe Intouchables balances precipitously at the edge of melodramatic excess yet somehow never falls over into that particular ravine.
The Intouchables balances precipitously at the edge of melodramatic excess yet somehow never falls over into that particular ravine.

Moonrise Kingdom (2012)
by Sara Michelle Fetters - May 25th, 2012 - Film Festivals Movie ReviewsMoonrise Kingdom has the potential to be a movie I’ll be pondering, mulling over and thinking about for the remainder of 2012. When all is said and done it might even enter into the upper echelon of the Wes Anderson canon.
Moonrise Kingdom has the potential to be a movie I’ll be pondering, mulling over and thinking about for the remainder of 2012. When all is said and done it might even enter into the upper echelon of the Wes Anderson canon.

Bernie (2011)
by Sara Michelle Fetters - May 18th, 2012 - Movie ReviewsBernie is simply unlike anything else out there making its way through the multiplexes right now. It is unique and tells a story many have never heard about with intelligence, style and panache.
Bernie is simply unlike anything else out there making its way through the multiplexes right now. It is unique and tells a story many have never heard about with intelligence, style and panache.

What to Expect When You’re Expecting (2012)
by Sara Michelle Fetters - May 18th, 2012 - Movie ReviewsI don’t know what I expected walking into What to Expect When You’re Expecting, but walking out I did know what I’d gotten, this comedic misfire an unfortunate waste of time I’d rather not have seen in the first place.
I don’t know what I expected walking into What to Expect When You’re Expecting, but walking out I did know what I’d gotten, this comedic misfire an unfortunate waste of time I’d rather not have seen in the first place.

The Cup (2011)
by Sara Michelle Fetters - May 11th, 2012 - Movie ReviewsThe Cup feels suffocated, almost as if the director is refusing to allow any emotion, anything that could be construed as an authentic human characteristic to come about naturally.
The Cup feels suffocated, almost as if the director is refusing to allow any emotion, anything that could be construed as an authentic human characteristic to come about naturally.