12 Hour Shift is an agreeably nasty workplace satire overflowing in whimsical moments, grotesque twists of fate and unforeseen emotional nuances that both tickled my funny bone and gave me a thing or two to think about in greater detail.

The Wolf of Snow Hollow is a bloody good October treat.

For those interested in a little wild west action inserted into their horror, Aaron B. Koontz’s The Pale Door is worth lassoing.

Spontaneous raucously combusts like no other horror-comedy this year.

Antebellum is noticeably striking in several ways, but it’s also sickening and disheartening in so many more.

For audiences eager for a genre throwback reminiscent of similarly themed efforts from the 1980s, Z more than fits the bill.

Rogue is a lot of fun.

Peninsula is well made and has any number of strong individual moments, and even if it is nowhere near as memorable as the first film, it’s still suitably entertaining if taken on its own merits.

Random Acts of Violence was so eager to shock, so consumed with trying to make me gasp out loud, that it completely forgot to give me a reason to care.