Edge of Tomorrow has held up magnificently over the past eight years. If anything, it’s only gotten better.

See for Me is a very entertaining little thriller, one that’s happily easy to rewatch. I may have even enjoyed it more the second time around, which is something of a surprise.

Breakdown: 25 years of full-throttle thrills, chills, and characters worth road-tripping into danger with

The Black Phone is a perfect example of how to tell a simple, somewhat familiar story with flair, intelligence, and style.

Spiderhead is a great Twilight Zone or Black Mirror scenario, only one that offers up a terrific idea, asks several fascinating questions, and then frustratingly doesn’t know how to reach a satisfying resolution.

“We love that in our movies you can find a subtext. You can find more things when you watch a second time.”
– Fernando González Gómez

The gleefully anarchic and exuberantly pitch-black The Passenger is a dangerously nasty horror comedy that got under my skin.

Crimes of the Future is a futuristically retro slice of body horror that left me speechless. It is a twisted descent into madness, refusing to coddle its audience or offer up a single happy ending. I wouldn’t have had it any other way.

A Die Hard clone set inside a top-secret military installation that’s the last line of defense against Russian nuclear aggression, high-octane actioner Interceptor is a waste of time.